STEREOPHONIC Opening Night Critics’ Reviews — Page 5

I'm glad I saw this. It lived up to the expectations I had from reading this thread and other social media posts. I thought the characters were clearly defined and deftly performed. I can justify its many Tony nominations.

That said, I wouldn't be comfortable recommending it to anyone without qualifications. During the first half I had the sense that people were squirming in their seats and looking for a clock. In my party of four, two left at intermission because of some variant on "I feel like I'm at Thanksgiving dinner with a bunch of people I don't like and don't have any desire to get to know." The party of roughly eight women in the row in front of us left as well along with the party of three couples behind us. One of the women in front made some comment about the emperor's new clothes in reference to the Tony love. The two of us who stayed felt like we had the rear orchestra practically to ourselves for the second half. I honestly enjoyed that because I felt a kinship and solidarity with those who stayed.

I am enjoying listening to the music now. I do recommend anyone with tickets take the time to listen before seeing the show. It's not essential in order to understand what's going on (it won't do that at all), but will elevate the experience by making what's happening on the stage feel more real; i.e., as if this were a behind-the-scenes look at an actual band.

I also recommend the the first couple of rows behind the premium section in the orchestra. The view and sound were perfect (better than closer rows I imagine) and the price (I paid $90) was very reasonable.

As mentioned in another thread, I was on business trip and last meeting was at 11am. I knew it was a quick one and I could catch matinee before flying home at night. Looked around at a couple of shows and the price was too high for me and then checked out this show. Only three seats were available and got one of them for $139, I was thrilled.

The show was pretty good although a bit long (3 hours), dragged a bit at times. I am a guy who "geeked" out watching the Beatle documentary (Get Back) so this was right up my alley. I am also a big "Fleetwood Mac" fan so saw the fairly obvious resemblance of Nicks-Buckingham (Peter-Diana) and the McVie's (Reg-Holly) dynamic in the characters. The drummer Simon actually reminds me more of Rolling Stones drummer Charlie Watts who was a good family man and was comfortable being in the background of the group.

The music is excellent but kind of wish we could hear more of it at times. I understand in the recording process you rarely hear full songs and most of the music is fragmented. Really liked that all of the actors played their own instruments. The centerpiece of the show is the growth of Diane who goes from being bullied by Peter to gaining confidence in her ability as a singer and as a person. Overall, this is an excellent cast.

While I really enjoyed this show, it is not for everyone. You really need to be into the sometimes mundane process of creating an album. So I hope anybody who wants to see this show does some research before buying a ticket.

Updated On: 5/16/24 at 09:30 AM

Sorry for the late reply - I got $40 preview seats, unrestricted view, in the balcony, C117/119, and the view was fine from there. It sometimes cut the heads off people standing at the BACK of the booth, but nothing of great import happened there - most dialogue and the singers in the booth were toward the front. If you want good facial expressions, opera glasses help, but my friend was fine viewing it from there without...

Dylan Smith4 said: "I saw the show this past weekend, and can I say that this was probably the greatest original piece of theatre I have seen in recent years!”

Except it’s not an original story as numerous critics and posters here have noted this is based on Fleetwood Mac recording Rumors. Also, it would be wild if this beat Days of Wine and Roses for best score IMO.

hearthemsing22 said: "Asking for opinions here...is there a cutoff where the mezzanine is a bad choice for seats? I have one of the first five rows in the center. Is that a bad area?"

I sat in Rear Mezz Row E the last time I saw it, and while a couple heads at the back of the sound booth are slightly cut off during the recording scenes, you don’t miss any action. Further back, you’re starting to risk the sightline and also it just feels far away. But anything from Front Mezz Row B to Rear Mezz Row E is totally fine.

Has anyone tried rush for this recently? Hoping to go tomorrow but not sure how early I can get there.

'Stereophonic' Playwright David Adjmi Sets Record Straight On Rumours

https://deadline.com/2024/05/stereophonic-playwright-david-adjmi-qa-1235924424/

For those of you who found it "tedious" (that seems to be the most common criticism), are you generally fans of this genre/topic?

My favorite movie of all time is Almost Famous, and I'm a big Fleetwood Mac fan. So I'm *guessing* I'm not going to be bored?!

I had zero reference to the album or band STEREOPHONIC is inspired by, had no prior knowledge of the personalities involved. Yet I was on the edge of my seat for most of the 3 hour + performance. The performances elevated the somewhat discursive script to high art for me, and the magic of watching art being created in front of us was sublime.

Huss417 said: "Just a question for those who have sat in the $59.00 Obstructed Orchestra seats. I'm assuming the farther I go back in the orchestra the view might be better but is there anything major that I would be missing on the stage from these seats?"

I sat in one of these a few weeks ago, I think row J right orchestra and missed nothing, maybe missed the drummers face for one scene, nothing of significance. Felt so closely intimate with the show. Well worth being on the side.

Tony Awards Mute ‘Stereophonic’ On Telecast



https://www.forbes.com/sites/marchershberg/2024/06/09/tony-awards-mute-stereophonic-on-telecast/