Posted: 10/27/16 at 7:46am
I saw the original twice at Playwrights Horizons and twice on Broadway. I don't remember the order of their arrival, but "Finishing the Hat" and two songs in the second act that give the show its almost-other-worldly depth and elegance arrived as the show was opening at Playwrights and then on Broadway. (I think "Finishing the Hat" was put in the day before I saw it at Playwrights, and "Lesson #8" and "Move On" were added after that. (I may have the arrival of the songs in the wrong order.)
We knew it was a life-changing, game-changing show from the beginning (even without those songs) and no one minded that the songs were arriving after we saw the early performances because it was a living example of Sondheim's genius. We just felt lucky to be experiencing it.
And, remember, there was no Internet then. We shared the daily updates of the show's progress by telephone, talking, and gossip in town square.
Bernadette's performance was like a gift from the gods. After the show won its Pulitzer, I was fond of saying that they should have shared the Pulitzer with her, because her performance lifted the show to immeasurable heights.
Mandy's George had a Gallic arrogance that Jake lacks, so that may be what you're wondering about a "stronger sexuality." But, oddly, I always thought that arrogance, combined with Mandy's mannered was of phrasing and his "divo" attitude were too assertive for the introspective self-absorbed George. (Don't get me wrong--he was thrilling.)
So, yeah, I kinda like Jake better.
