***MORE SPOILERS***
Now that I'm back, I'd love a few questions answered by the experts. I'm mostly curious about the production aspects and logistics which I'd love to make sense of.
1. What was the space they used for the show? A factory/warehouse? I noticed that each floor had "two sides" as they could be entered from two different staircases and there are two floors (3rd and 5th, if I'm not wrong) that connect you between staircases. I'm curious as to what kind of space had this strange set up.
2. How much of the space did they have to "transform" for the show? I ask because the task seeks monumental - I'm mostly wondering about the wallpaper, painted walls, archive files, chandeliers, letters, books etc. Was there something already in the building they just added to? With the amount of detail I can't wrap my head around them re-doing every single room. That would be like designing a show with 100 different sets, and with the fact they tour the show I can't imagine how they could find such similar spaces and adapt what they have.
3. I assume that not every single room is used for performance? Most are just to explore? If so, I guess most of it is also a massive art installation, even more so than attending a "stage" performance.
4. To those who are familiar with the company's past work, are they all mostly this cryptic? I mean that regarding any background information that could provide deeper insight on their approach to the Shakespeare or the Hitchcock- or neither. Have they ever written an article or book regarding their approaches or methods?
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE