Saw Something Rotten the Saturday matinee and Fun Home Saturday night. Talk about two different worlds. The afternoon was a throw back to off Broadway musicals like Forbidden Broadway and When Pigs Fly - if they were written for Branson Missouri. In comparison my evening tickets were for something more ground breaking, Fun Home renewed my faith in musicals for the future.
Expectations were not high going into Something Rotten I expected a fluffy enjoyable and highly professional piece. The first thirty minutes were wonderful - amazing even - I was ready to buy tickets for a return trip - but the show peaked with the hysterical and brilliantly staged Soothsayer production number "A Musical."That number became the one trick pink elephant of the evening. The show could not recover or top the build up to that moment. The second act Omelette number was essentially a re thread of the successful elements of its first act brethren. The lack of creativity around everything else became stultifying. The mind wandered. The performances blanded together and the plot didn't thicken it just sloshed its way to an anticlimactic ending.
Such a sin because those first thirty minutes were truly amazing.
Yes the direction was as taught as a cruise ship revue but one questions a director who couldn't suggest its writers go back to the drawing board on its sub plots. Minimally the end of the show begs for a punch line or one last groan. For my money Brad Oscar has the supporting actor in a musical Tony sewn up and should be given the last line to bring down the final curtain on this show. It's so evident he saves the piece and has the best material why not let him bring it home? The audience - who by the way was loving it - was so primed for one last explosion of energy even if it meant beating that dead horse of an idea one more time. Let them eat cake!
I wish the show well, I hope it finds its audience - current preview grosses suggests a lot of papering and discounting. If there is a theater god award season will pass this show over - with the exception of Brad Oscar. While there's a lot of yeoman activity up on the St James stage - there are more laurel worthy efforts elsewhere. Damn the touring producers voting block.
If only Howard Crabtree were still with us he could have helped make this show soar. Right now it's more than enough for the majority of what makes up the Broadway audience. It's the nicer Book of Mormon you can send the kids and Auntie to without giving it a second thought.
Up In One
Updated On: 4/12/15 at 11:27 PM