Papi2013 said: "I have a question. At what point those a specific performance get cancelled due to a lack of an audience? I think I saw on their seating chart that Saturdays afternoon performance had only sold about 16 tickets? Do they still go on for such a small house?"
A specific performance does not get cancelled because of low ticket sales. Everything on Broadway is budgeted per-week, so you'd still have to pay everyone for a canceled performance, even if you're performing for 16 people (tho that feels like an awfully low number even with a snowstorm)...
As to when a show might decide it's time to close altogether, that is up to the producers. TINA is no doubt below the stop-clause number and could be kicked out by the Nederlanders if the Nederlanders had a show ready to come into that theatre –– but as discussed elsewhere in this thread, I don't think anyone is dying to produce a show in a big theatre right now (and word on the street is that the Britney musical is the Lunt's next tenant, which Nederlander is producing). So there's no reason for the theatre owner to kick them out if it's just going to sit empty.
Looks like TINA has recently closed the rear mezz to push the audience forward....but only during the week (not weekend).
Obviously, anything can happen, but that does sound like they intend to stay open through the winter."
Or until Nederlander activates the stop clause and kicks them out."
It's so funny when people expose that they don't know what they're talking about on here when so many others actually do. The Nederlanders are the lead producers of Tina with Stage Entertainment. They won't be using a stop clause to close the show, it'll close when they want to start making full rent revenue again. Or bring in another of their own shows (One More Time, for instance which seems like it isn't rushing to come in this season).
Saw today’s matinee, what I think was Ari Groover’s third ever performance as Tina. It was my first time seeing the show but I thought she was excellent. What a tour de force this role is! I can see why they can’t ask actresses to do two shows in a day! (FYI the orchestra looked completely full to me. Got my ticket at TKTS, $98 for 10th row center.)
I've seen four shows in the past two weeks, all four have been nearly sold-out(90%?). Come From Away, Hadestown, Company & Book of Mormon. The lack of shows are clearly helping those that are still running. TKTS only had ten out of the 19 Broadway shows up today. Also, the drop in COVID cases seems to help in getting more people out. Even my local theaters here in NJ seem to be doing much better now than two months ago.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
The seating chart/ticket sales for next week's performances (such as Tuesday 7pm) are quite telling. Plus the entire vast rear mezz is closed off. There's a reason why they're not reporting the grosses. We don't know the price (if any) being paid for the seats being filled.
I think it's safe to say we are allsurprised that they are (a) running, and (b) finding success with this unusual strategy of no major discounts. Grossing north of 800K with only 60% of seats filled and an average price of of $115 is pretty damn good.
People can and should guess/predict what they want about the financial decisions of a private business entity.
Tina seems safe for the summer. Probably gone by Labor Day, especially with no theaters free currently.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Sutton Ross said: "ErmengardeStopSniveling said: "I think it's safe to say we areallsurprised that they are (a) running, and (b) finding success with this unusual strategy of no major discounts. Grossing north of 800K with only 60% of seats filled and an average price of of $115 is pretty damn good.
People can and should guess/predict what they want about the financial decisions of a private business entity."
Yeah, none of that is true and speak for yourself only. Thanks so much."
Incorrect. Most of what Ermengarde says is demonstrably true. Obviously, the remainder is opinion, something that is not susceptible to a true/false dichotomy and thus equally incorrect. You might want to work on accuracy so as to avoid repeated embarrassment.
Hm, interesting. I feel like the Lunt tends to be for "big" shows. I'd think Devil would be more along the lines of Pretty Woman in scale? But, hey, maybe we're wrong.
Sutton Ross said: "^ It's rude to "guess" closing dates. Perhaps making the choice not to do that is best?
Hey Victor, Tina is still open. You mad? "
I honestly don’t see how it’s rude to guess when a show will close. It’s not like EDSOSLO858 is wishing for them to close.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
iluvtheatertrash said: "The producers have committed to the fall, maybe even end of year. Unless something has changed in the last week and not reached us lowly ushers."
This is encouraging. Though as you probably know very well, any actual decision would not reach the actors, the ushers, the investors, or anyone else in the building until the day of the announcement to the general public.