Posted: 5/5/25 at 3:29pm
Kad said: "I wouldn't be totally shocked if Musical, Book, & Score go to three different shows- I would guess MHE, Mincemeat, and Outlaw, respectively. MHE is a good overall package, Book often rewards clever, funny shows and voters may want to give Mincemeat something meaningful, and Dead Outlaw's score is just great and Yazbek has really emerged as one of our finest musical theatre composers.
I believe the last time there was a three way split of those awards in a competitive year (aka- not the COVID ceremony) was 2005 with Spamalot, Spelling Bee, and Piazza- a similarly very strong year with no obvious frontrunner to sweep."
I can imagine that happening. The open question is how enthusiastic Tony voters will be to ‘reward’ a particular show. I suspect Jak Malone will win in featured actor so Operation Mincemeat won’t go home empty-handed even if it loses book. The main questions, I guess, are the amount of love for Maybe Happy Ending (which could also affect the Best Actor race) and the level of enthusiasm for Operation Mincemeat and Dead Outlaw.
Maybe Happy Ending - lots of overall nominations, including direction. No best actress nom for Helen Shen in an admittedly tough category. Lots of critical praise, good narrative, some critique of it being too ‘cute.’ Score isn’t memorable on its own but works very well in the context of the character- and plot-driven story. Strong, well-crafted book that covers some dark themes but is designed to have audiences leaving happy.
Operation Mincemeat - no best direction, no acting nominations outside of Malone (who voters can admire without liking the overall show). Weaker reviews than the other two, probably was the fifth choice for Best Musical. Very clever and sentimental but not for everyone. Already won the Olivier - not sure if that helps. Best new song and some catchy melodies. Do voters want to award the actor-writers?
Dead Outlaw - about as well reviewed as Maybe Happy Ending. A very American musical that has no desire to be loved or appeal to sentiment, a notable contrast to the other two. Probably the strongest overall score but it can be a bit grating at times. Definitely not for everyone. Most acting nominations of the three along with direction. How do Tony voters respond to it?
If Maybe Happy Ending wins Best Musical, might it win nothing else? That seems unlikely. I can imagine the show sweeping the three categories, and Criss prevailing too, or just winning Best Musical without another major win.