I don’t care much for either of these words, but I’ll proffer LIZZIE BORDEN – not the recent rock musical, but the 1998 Christopher McGovern-Amy Powers book musical.
Never having seen it staged or read the libretto, I don’t know how viable the show is on the whole (though it was favorably received in all of its major productions), but the score is wonderful, dramatic but not overwrought, funny but not wink-winky, and scary but not cheap. It could maybe do with some re-orchestration, but it has potential to be great (it’s already wholly original), and every time I listen to it, I’m sad it’s never gotten its due.
The other egregiously overlooked score I know is MOBY DICK – the original West End incarnation, which is like THE ROCKY HORROR SHOW crossed with BABES IN ARMS by way of "St Trinian's,” and not the silly Americanized abortion rewritten to sell to high schools Across the Land.
CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES