Owen22 said: "Harold Hill is no Donald Trump (as Music Man is no rah-rah loving ode to America). Both are grifters, yes. But love changes Harold Hill. I'm not sure Donald Trump is capable of love. Yet I've always found The Music Man to be political. I have always found The Music Man to be an indictment of America itself. And it's the reason I love it. The real hero of the piece is obviously Marian. Where the people of River City are completely glamoured by this man, she, being an intelligent person, a person who believes in, say, science (thus suspect), realizes what he is saying is completely ludicrous. Yet, she is so intelligent she can then also see how this con man is changing her town for the better. And she sees through his veneer of selfishness and can find the lovely man within. The rest of the town, is completely threatened by the illusion of fear and easily malleable because of it. And of course so easily self-deceived in the end! The Music Man is specifically the Revival we need for today!"
I'm not claiming The Music Man is pro-Trump. But I don't understand yelling at people who don't have an appetite for seeing a con man accepted back into the fold of polite society and given the heroic, romantic happy ending reward. It's a musical with a song called "Shipoopi"; I wasn't expecting deep profundity. But it does normalize and diminish the severity of bad actions the way status quo-embracing stories do.
That said, I'm not about to protest it. I think it's just personal taste whether this is a show you can watch right now but people aren't crazy for not being ready to embrace a show about a grifter. I'd feel similarly if they wanted to do another H2$ or Catch Me If You Can. I'm not offended, just not in the mood for it. I'd rather see Ragtime or Newsies or Caroline, or Change. And happily, I will be able to see the last one.