Welcome to Kanagawa, Please, Hello (both from Pacific Overtures), and some of the Transition songs from Passion. the one right after Loving You, which reprises "how long were we apart?" in particular is STUNNING.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Anything from Pacific Overtures and a couple from Bounce.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
People usually cite "Not a Day Goes By," "Good Thing Going," and "Franklin Shepard, Inc." as the best songs from Merrily, but I think the best one is "Opening Doors." A marvelous seven-minute piece that chronicles the characters' early years, with endlessly witty and telling lyrics ("I saw 'My Fair Lady'...I sorta enjoyed it").
My avatar = A screencap from Avatar, arguably the greatest animated show of all
I think the three ballads in Assassins are wonderful. I could be biased since I've played the Balladeer, but each is witty, ironic, and emotional in their own way. Many, many layers in each.
Pretty much all of Pacific Overtures. Marvelous, well constructed, and a beautiful homage to traditional Japanese theatre.
Two others I enjoy are "If You Can Find Me, I'm Here" from Evening Primrose and "What Can You Lose?" from Dick Tracy.
Chrysanthemum Tea and Please Hello! from Pacific Overtures. I cannot STAND the revival recording of these songs, but the original cast album is perfection.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
"Unworthy of Your Love". I've only ever heard it sung outside of Assassins in Putting it Together. It's so beautiful it really should be in more cabarets and concerts and stuff.
Well "Everyday a Little Death" is my favorite Sondheim song ever, so in my opinion it is very underrated. As well as "Kiss Me" from Sweeney Todd. I'd like to second "If You Can Find Me, I'm Here" from Evening Primrose and add "When". And of course the brilliance of the Assassins ballads... though my fav would have to be Czolgosz, and I LOVE "The Gun Song", so much so I used to get in trouble for singing it in 3rd grade... "Is This What You Call Love?" is really short, but brilliant. But in my opinion, anything Sondheim is underrated with the exception of the overdone "Send in the Clowns".
I think Pacific Overtures in general is underrated. I was hesitant to include Someone in a Tree, which is my personal favorite, because I...well, I think in the realm of Pacific Overtures songs, it gets its due. maybe I should add it though.
EDIT: I was just informed that I had written that Pacific Overtures was overrated. it is very much not.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
I actually think a couple of songs from Company often go underrated behind the behemoths of Being Alive, Marry Me a Little, Ladies Who Lunch and Getting Married Today: namely "Sorry-Grateful" and "Someone is Waiting."
I would say all four songs from Evening Primrose aren't nearly as well known as they should be, but I'd like to make especial mention of "I Remember" -- the lyrics are sheer poetry.
I also love "What Can You Lose" from Dick Tracy - beautiful melody.
Don't think it's been mentioned, but I LOVE on the London recording of Passion, Michael Ball's version of "No One Has Ever Loved Me" -- absolutely heartbreaking.
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."
My all-time favorite underrated Sondheim song is "Two Fairy Tales," which was cut from A Little NBight Music and first performed at the 1972 "Sondheim: A Musical Tribute" by Victoria Mallory and Mark Lambert. It was also included in Marry Me a Little.
I can listen to it over and over again, each time hearing things in it I didn't hear in the counterpoint before.
I love "What More Do I Need?" from Saturday Night and though he didn't do the music, I love "Best of Possible Worlds" from Candide. Sondheim's lyrics are so clever and darn adorable.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
Not sure if it's particularly underrated, but "Another Hundred People" never ever ever fails to make me smile, especially if it pops up on my shuffle when I'm on the subway, like it did yesterday!
Love, I Hear (Forum) Later (Night Music) Bang! - (Night Music) In Praise of Women (Night Music) No One Has Ever Loved Me (Passion) Happiness (Passion) Loving You (Passion) Someone in a Tree (Pacific Overtures) Now You Know (Merrily) On the Steps of the Palace (Into the Woods) You're Gonna Love Tomorrow/Love Will See Us Through (Follies) The Little Things You Do Together (Company) Marry Me a Little (Company) Talent (Bounce) Ballad of Czolgosz (Assassins) See What It Gets You (Anyone Can Whistle) What More Do I Need (Saturday Night) Kiss Me/Ladies in Their Sensitivities (Sweeney)
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian