Is it CONTACT? is it JERSEY BOYS? Is it MEMPHIS? I haven't seem them all, so I cannot fairly judge. What do you guys think?
2000: Contact 2001: The Producers 2002: Thoroughly Modern Millie 2003: Hairspray 2004: Avenue Q 2005: Spamalot 2006: Jersey Boys 2007: Spring Awakening 2008: In the Heights 2009: Billy Elliot 2010: Memphis
I'll say Memphis. Contact actually had some competition that year, and Contact is 10x better than Memphis.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
In my opinion, it was Spamalot. That was my least favorite of the nominees that year. The Light in the Piazza should have won. My second choice would have ben Spelling Bee. I would have even been happy with Dirty Rotten Scoundrels. I know that I can't be the only one who didn't like Spamalot. While it had a few funny jokes, so many jokes were just forced or copied directly from the movie.
2001: The Producers 3/10 2002: Thoroughly Modern Millie 8/10 2003: Hairspray 7/10 2004: Avenue Q 3/10 2005: Spamalot 0/10 2006: Jersey Boys 5/10 2007: Spring Awakening 8/10 2008: In the Heights 0/10 2009: Billy Elliot 6/10 2010: Memphis 7/10
from 0 to 10
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I actually really enjoyed Contact. A lot of people did. Of all the musicals in the past 10 years that have come under many people's heading of "Not a REAL musical," I thought that Contact was the best of the lot.
In terms of Spamalot, I don't think it's a bad show, it just wasn't the best musical that year. As others said, while it was certainly the biggest HIT that season, the other three nominees were better musicals. Although that was certainly a very good year for that category. Makes you realize just how awful this season's category was.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
2000:Contact No idea/10 2001: The Producers 6/10 2002: Thoroughly Modern Millie 8/10 2003: Hairspray 8/10 2004: Avenue Q 5/10 2005: Spamalot 0/10 2006: Jersey Boys 1/10 2007: Spring Awakening 7/10 2008: In the Heights 9/10 2009: Billy Elliot 10/10 2010: Memphis 9/10
Weakest are Jersey Boys, Spamalot, and Contact.
I completely disagree about Memphis and In the Heights. They have most things that make a good musical, and even though Memphis can be related to other musicals, such as Hairspray, it is still great. In the Heights is very original and creative, even though some will say it has something to do with West Side story.
1. Hairspray 2. Jersey Boys 3. Contact 4. Billy Elliot 5. The Producers 6. Avenue Q 7. Thoroughly Modern Millie 8. Spring Awakening 9. In the Heights 10. Spamalot 11. Memphis
1. Avenue Q 2. Hairspray 3. The Producers 4. Billy Elliot 5. Thoroughly Modern Millie 6. Contact 7. Spring Awakening 8. In the Heights 9. Jersey Boys 10. Spamalot 11. Memphis