I didn't care for some of those winners, and thought that there were more deserving ones in the categories. But Memphis was one of the few times when I left a show wishing I hadn't gone, because there were hardly any redeeming qualities about it.
Strongest to weakest: 1. Hairspray 2. In The Heights 3. Avenue Q 4. Spring Awakening 5. The Producers 6. Billy Elliot 7. Jersey Boys 8. Spamalot 9. Thoroughly Modern Millie 10. Memphis 11. Contact
1. Hairspray 2. Spring Awakening 3. Avenue Q 4. The Producers 5. In The Heights 6. Thoroughly Modern Millie 7. Jersey Boys 8. Billy Elliot 9. Spamalot 10. Contact 11. Memphis
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I'll do my strongest to weakest, leaving out Jersey Boys.
Strongest to weakest: 1. Billy Elliot 2. Avenue Q 3. Hairspray 4. The Producers 5. Contact 6. In The Heights 7. Thoroughly Modern Millie 8. Spring Awakening 9. Memphis 10. Spamalot
1. Avenue Q 2. In the Heights 3. Spring Awakening 4. Billy Elliot 5. Hairspray 6. Jersey Boys 7. Memphis 8. Spamalot 9. The Producers 10. Thoroughly Modern Millie 11. Contact
"Rather than ignore those who choose to publish their opinions without actually talking to me, I am happy to dispel any rumors or misconceptions and am quite proud to say that I am a very content gay man living my life to the fullest and feel most fortunate to be working with wonderful people in the business I love."
-Neil Patrick Harris
1. Hairspray 2. Billy Elliot 3. Contact 4. Avenue Q 5. Spring Awakening 6. In the Heights 7. The Producers 8. Jersey Boys 9. Thoroughly Modern Millie 10. Memphis 11. Spamalot
Contact was brilliant.
"If you are going to do something, do it well. And leave something witchy."-Charlie Manson
First, I loved Memphis. I think this board is extremely unkind to this wonderful show.
2000: Contact: I liked Contact, but didn't love it. Definitely not Best Musical material.
2001: The Producers: Did not like The Producers at all.
2002: Thoroughly Modern Millie: What a bland boring show. I actually found myself nodding off during this dull dull show. (I rarely nod off at Broadway shows.)
2003: Hairspray: Loved Hairspray and it definitely deserved it's win.
2004: Avenue Q: Loved Avenue Q, saw it twice and was thrilled that such an intimate show won.
2005: Spamalot: Enjoyed Spamalot. Not sure it was Best Musical material, but a fun, silly show and definitely a good time.
2006: Jersey Boys: Adored Jersey Boys and for me it was the win for Dreamgirls that Nine so inappropriately stole. Jersey Boys is brilliant.
2007: Spring Awakening: What an overrated show. I was shocked at how much attention this rather mediocre show got. American Idiot is infinitely more interesting.
2008: In the Heights: Loved In the Heights. Very pleased that it won.
2009: Billy Elliot: Beyond overrated - in so many regards. Wow! I still can't believe this won.
2010: Memphis: Loved Memphis and definitely think it deserved it's win.
I realize that my opinions go against many of those here. Oh, well.
Updated On: 6/14/10 at 11:02 PM
For those of you who are ranking Contact as your weakest or in your bottom 3... did you even see it? Like be honest? If you saw it, you would know how excellent it was. Just because it was a dance show doesn't mean it wasn't good. Movin' Out would have won in 2003 if Hairspray hadn't been around.
Also, I don't remember. Did Spring Awakening recoup?
I wholeheartedly agree. Anyone who had actually seen CONTACT couldn't possibly rank it among the worst. Whether or not it's a "musical" is irrelevant, because it was judged as thus.
And that's correct...if HAIRSPRAY hadn't been around, MOVIN' OUT would have won hands down.
I do believe SPRING AWAKENING recouped, but don't quote me on that.
"If you are going to do something, do it well. And leave something witchy."-Charlie Manson
Memphis is clearly the worst winner in the past ten (er, eleven) years. I wouldn't have even nominated it for Best Musical.
Movin' Out would have gotten my vote over Hairspray. If something is eligible for a certain category, it shouldn't be discriminated against because it's so drastically different than the others (i.e. a dance show in the category of Best Musical). It should be judged fairly.
Strongest to weakest: 1. SPRING AWAKENING 2. BILLY ELLIOT 3. THE PRODUCERS 4. HAIRSPRAY 5. JERSEY BOYS 6. IN THE HEIGHTS 7. AVENUE Q 8. THOROUGHLY MODERN MILLIE 9. SPAMALOT 10. MEMPHIS
For the record, the first seven shows on my list are four star/three and a half star shows in my book. Not too bad when I look at it!