With the advent of new media, streaming and socials, “original casts” are becoming not just the original cast of a show, but a media entity unto themselves. The more shows are recorded, or even bootlegged, the more the moment becomes the product. Is that a bad thing? Honestly I don’t think it has to be.
RippedMan said: "Still curious what the point of that was? And who backed it and produced it? To get the whole cast, pay them, etc. Just seemed so strange."
Lea Michele produced that segment and funded the entire thing. It is known that when she learned FUNNY GIRL would not be performing, she contacted the Tony Awards Committee and got this performance going.
RippedMan said: "Still curious what the point of that was? And who backed it and produced it? To get the whole cast, pay them, etc. Just seemed so strange."
Capitalize on a moment. And also Skylar Astin will be on a new CBS show this fall, good cross-promotion.
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008
It was magical in every way. It's very interesting how the Deaf West revival of Spring Awakening had to fundraise to preform and said they would not be able to without fans help and this happened out of nowhere but I guess they help promote the Documentary/Anniversary. Brian Charles Johnson's Vocals are truly heaven sent. Lea looked and sounded incredible and it was so nice to see Krysta and Jennifer. It's funny how Skyler went on crazy riffs during the reunion at The Imperial and kept it very simple at the Tony's.
It’s incredible the absolute 180 Lea Michele’s image has taken this past year/year and a half. It felt like yesterday when glee cast members were coming out with horror stories about her and now she’s back to being broadways favorite. She has a damn good publicist.
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everythingtaboo said: "RippedMan said: "Still curious what the point of that was? And who backed it and produced it? To get the whole cast, pay them, etc. Just seemed so strange."
Capitalize on a moment. And also Skylar Astin will be on a new CBS show this fall, good cross-promotion."
ding ding ding. i'm almost sure CBS had plenty to do with this-- they had Skylar come out to present with his co-star in this new sitcom, advertised it heavily, and then had him sing this big number. I am not complaining--it was the musical highlight of the evening, sadly-- but this doesnt happen by accident.
As a whole, this years Tony Awards for me were “meh” at best but my God, that “Spring Awakening” segment was one of the best things I’ve ever seen on any Tony broadcast. Perfect in every way. I never even questioned why it was done, I was just thankful it was.
Songofpurplesummer2 said: "It was magical in every way. It's very interesting how the Deaf West revival of Spring Awakening had to fundraise to preform and said they would not be able to without fans help and this happened out of nowhere but I guess they help promote the Documentary/Anniversary. Brian Charles Johnson's Vocals are truly heaven sent. Lea looked and sounded incredible and it was so nice to see Krysta and Jennifer. It's funny how Skyler went on crazy riffs during the reunion at The Imperial and kept it very simple at the Tony's."
Not really. When that was shot/performed last Fall, Skylar (not Skyler) wasn't doing eight shows a week as Seymour. He had to keep it conservative at the Tonys for good reason.
BrodyFosse123 said: "RippedMan said: "Still curious what the point of that was? And who backed it and produced it? To get the whole cast, pay them, etc. Just seemed so strange."
Lea Michele produced that segment and funded the entire thing. It is known that when she learned FUNNY GIRL would not be performing, she contacted the Tony Awards Committee and got this performance going."
Songofpurplesummer2 said: "It's very interesting how the Deaf West revival of Spring Awakening had to fundraise to preform and said they would not be able to without fans help”
I don’t think either situation really has anything to with the other. All the performances pay for the airtime; so whoever has the money has the money, and whoever doesn’t, doesn’t. There was no discrimination against the Deaf West production.
Not to mention, the whole “fundraising” thing for Deaf West was just another one of Ken Davenport’s exploitative stunts. They had access to the the money to pay for the performance, they just didn’t WANT to pay for it, so he played on the sympathies and blind dedication of the fan base to try to avoid taking the loss.
I guess that's true. I just know it was costly so just wondering who paid for it and why? I can't imagine they'd get any money in return. HBO bought the doc or did they produce it?
So Help Me Todd is the new show. Sklyar plays a black sheep P.I. I am going to give it a try because Marcia Gay Harden plays his lawyer mom. Geena Davis was originally cast but bowed out.
Well, better a reunion of the original cast of a best musical winner- many of whom have gone on to have pretty illustrious careers- than a performance by a cruise ship production.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
If they were doing the reunion angle, I would have liked them to do it a few more times to make it a thing. It just felt like "oh okay so that happened." I enjoyed it, but just felt odd.
Alexander Lamar said: "Is she back to being Broadway’s favorite? It seems like the few events she has popped up at the response is how did she get here and why?"
I don't know if she's back to being a "favorite", but the conversation surrounding her is quickly heading back to "she's difficult, but boy she can sing". I also do think it's 100% what she's aiming for. She's essentially eschewed Broadway except for that one glee era tony performance, and suddenly she's back like she's never left. She's famous enough that a producer wouldn't hesitate to take a chance on her selling tickets. So within the next year or so I think we'll see an announcement.
Ke3 said: "Alexander Lamar said: "Is she back to being Broadway’s favorite? It seems like the few events she has popped up at the response is how did she get here and why?"
I don't know if she's back to being a "favorite", but the conversation surrounding her is quickly heading back to "she's difficult, but boy she can sing". I also do think it's 100% what she's aiming for. She's essentially eschewed Broadway except for that one glee era tony performance, and suddenly she's back like she's never left. She's famous enough that a producer wouldn't hesitate to take a chance on her selling tickets. So within the next year or so I think we'll see an announcement."
I think they would make a lot of money if they could coax her into Funny Girl
They performed because they are promoting the new HBO documentary "Spring Awakening: Those You've Known". Are Tony performances expensive? Sure. But its part of their Emmy campaign strategy (Emmy nomination voting begins tomorrow). HBO spends millions campaigning their Emmy contenders, this would be a drop in the bucket for them. Plus, even if the funds didn't come directly from HBO, the producers of the doc (which includes Groff and Pritchard among others) can certainly afford it