It's possible there's something else but the only one I can think of was a reading of some old plays/poems in the village. I wasn't feeling that great and I just decided that life was too short that day.
Otherwise, I have a pretty high tolerance and I like to see the good in everything so I wait for those moments if they're in short supply. I'm never that tempted to walk out in the middle of something but I will say that I can think of some times I might not have come back after intermission if they hadn't taken the option away. (*cough Mercury Fur) Generally, I can make it through any show. It's the audience members I'm struggling with lately.
Wildcard, can you tell me what you so disliked about the Fiasco Into the Woods? I thought the general consensus was that it was a good production, albeit with some weaker vocalists...
I've never walked out of a show but I greatly considered it at both the first and second intermission of Gore Vidal's "The Best Man".
I found it incredibly boring. First intermission I thought "maybe it will get better" so I sat through it. Second intermission I thought "well it didn't get better but the third act isn't terribly long" so stuck it out. In my opinion, it didn't get better and I wish I had left but the cast was stellar.
I've never actually walked out on a show. However, suffering through the touring company of "Dirty Dancing" changed my mind. However, the friend I went with did not want to leave.....so sadly for me, I stayed. I'm pretty sure it was my worst theater going experience ever.
Modern dress is always a problem with me and I now think twice about seeing shows that are so.I left at intermission at The Crucible because I couldn't stand the production and recently I suffered through The Cherry Orchard. I wanted to leave but I was at a matinee and had booked an evening show. So I stayed.
I left the recent productions of Long Day's Journey and A View from the Bridge. Both were at the end of very long travel days (up at 4:30 to be at the airport at 6 for an 8am flight to NYC), which isn't a problem for seeing theatre those evenings when I am enjoying the show. I know both are well loved and well written plays but I just did not like either and couldn't stay engaged, and thought it was less rude to leave quietly when I had the opportunity than to fall asleep during the show and possibly disturb other audience members. I think it was the direction by van Hove that I didn't like for Bridge, but I just did not connect with Long Day's Journey at all (I may have stayed were it a shorter play)
I left at intermission for THE LAST SHIP...loved some of the music, but I could have written the second act myself, so obvious was the trajectory, that I saved myself having to sit through it.
My best "leaving at intermission" story was attending a preview of MOOSE MURDERS with my friend actress Lee DeLong. We were both very young, newly arrived in NYC, full of theatrical aspirations and love of the art! After the first full act of astonishments (in the way a horrific auto accident is astonishing), Lee stood up and shouted loudly "This is an OUTRAGE to the theater!" She stormed up the aisle - I followed and tried to get her to come back for Act 2, but she said she could take no more of the carnage (especially distressing watching Holland Taylor struggle to make something of the part Eve Arden had had the sense to escape from!). She met me in a nearby bar after the show. But I have to see Act 2 to see if it could actually be worse than Act 1...IT WAS!!! No other bad show has ever topped it in my book... :)
As for regional productions and tours, I've walked out of several. Most recently, the national tour of Newsies. I'm a fan of the film and the score, but I found almost nothing likable in the stage production.
Broadway: Priscilla, Queen of the Desert. What made the film so brilliant was the juxtaposition of the drag queens against the bleak backdrop of the outback, which crossed over to the characters they encountered along the way. When you remove that backdrop and make everything on stage the same level of the color and camp as the drag queens, the contrast is gone and it's just all bright, loud and gawdy all the time. Left at intermission with a pounding headache.
West End: In a Forest Dark and Deep (preview). There was no intermission and no aisles, so about 20-30 minutes into the show, I climbed over people unwilling to let me out and when I passed Neil LaBute at the end of the row (who was also the director), I told him it was a steaming pile of sh*t. It was two detestable characters hinting at a "shocking" reveal that you could see coming from a mile away, basically behaving like LaBute characters, bolstered with cliched foreshadowing as subtle as a sledgehammer. Admittedly, I was already in a REALLY bad mood and was hoping the play would serve as escapist entertainment, but it just made the world so much WORSE.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
I usually manage to find even the slightest redeeming value of any productions, so out of respect to everyone performing, I never walk out of any productions during intermission. EXCEPT a single performance, SF Opera's "La Traviata" in 2014. The production was dull beyond belief, the singers was barely audible, the music dragged, and I was tired and not feeling well. The singers subsequently go to my black-list.
DEAD MAN'S CELL PHONE - off broadway (so annoying)
IF/THEN - Tour. Idina sounded amazing but the show wasn't so fantastic. glad i saw that first act tho
STAGE KISS - Geffen Theater really wanted to enjoy the play but god was that awful and trite. cast wasn't stellar either. Poor Geffen Theater is having a rough time of it - but they certainly have had some stellar productions
I was so close to walking out of A Doll's Life, but I was enjoying observing Betty Comden, Adolph Green and Hal Prince arguing with each other throughout the show as they sat directly in front of me.
I've never actually left during a show or at intermission, mainly because I was with other people, but there's a long list of shows I wanted to leave during.
Living On Love and Legally Blonde being the main two.
I actually waited in the lobby during the Lion King since my group wanted to stay. I had a good time chatting to the merch booth worker.
I recall when I watched Book of Mormon back in 2011, I saw at least 10 people not return to their seats after intermission. I'm guessing they were real Mormons who felt disrespected by the show?
Anyway, as for me, the only show where I walked out during intermission was the play "The Invention of Love." I loved the first half but unfortunately I didn't realize how long the show was and had I stayed to the very end, I would have missed the last bus out of Port Authority by 5 minutes. I know that was a silly excuse but back at that time it seemed like the right decision.
Well, obviously I walked out of this recent incarnation of Falsettos.
I've also bailed on Dear Evan Hansen, The Crucible (2016) and one other that I can't remember. We left about five minutes into Shakespeare Sonnets at BAM. The ushers in our section all started laughing and on the way out one of them said, "Yeah...this one isn't for me either."
Long ago I used to get offended seeing empty seats in the second act. Now I don't mind it. I'd rather have the people who aren't into it head out so the rest of us who are can better enjoy it communally. :)
Lucky for me all these tickets were comps. If I recall an review in the Village Voice called 'The Herbal Bed" about as enjoyable as a case of Gonorrhea.
Seen 186 different shows in my lifetime, the one I couldn't wait to walk from was Hamilton, Was sitting next to one of the Producers and his wife and they were just as rough as the show. Rather have Bamboo shoots stuck up my fingernails. JMO, Fluffies