Perhaps the real reason is not wanting to have Bette on national TV showing how thin her voice is... Not that it matters as it's pretty much sold out. But why risk bad pr?
I asked in another thread but it got deleted. Why is there such a strict no media, no interviews, as few photos as possible nondisclosure on this production?
darquegk said: "I asked in another thread but it got deleted. Why is there such a strict no media, no interviews, as few photos as possible nondisclosure on this production?
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"If you want to see Bette do this you gotta empty your savings account?" Just a guess.
chernjam said: "Perhaps the real reason is not wanting to have Bette on national TV showing how thin her voice is... Not that it matters as it's pretty much sold out. But why risk bad pr?
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To be honest, I can't help but feel this. Wanting to carefully control the circumstances in which she performs to prevent a disaster like CZJ's Tony Performance.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Scott Rudin is the producer of HELLO, DOLLY! and countless of Broadway smash hits. He's a stickler in leaving things unseen so he doesn't use obvious means to promote his projects hence why photos are limited, and no Press Reel footage is ever released. That's why the TV commercials of his shows contain no footage and performances on talk shows are never done. For the recent revival of THE FRONT PAGE, he didn't allow the press to see the show during previews so for the first time in decades, the press had to attend Opening Night to review the show (just like the old days). Cast members are also forbidden to show anything on their social media platforms.
BrodyFosse123 said: "Scott Rudin is the producer of HELLO, DOLLY! and countless of Broadway smash hits. He's a stickler in leaving things unseen so he doesn't use obvious means to promote his projects hence why photos are limited, and no Press Reel footage is ever released. That's why the TV commercials of his shows contain no footage and performances on talk shows are never done. For the recent revival of THE FRONT PAGE, he didn't allow the press to see the show during previews so for the first time in decades, the press had to attend Opening Night to review the show (just like the old days). Cast members are also forbidden to show anything on their social media platforms.
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I understand that but this also happened and that was a Rudin production too.
I seriously wish she doesn't perform just so I can sit here with a glass of red wine and a bowl of truffled popcorn and enjoy myself reading the epic meltdown by all of you queens here on BWW.
CarlosAlberto said: "At the end of the day she and the production do not owe anyone a performance on the Tony awards. "
Very true. And at the end of the day Rudin isn't owed any Tony awards either. If he prefers to stay home on June 11 and count his box office receipts that is completely his prerogative. On the other hand some people who don't need the money or publicity (Hamilton comes to mind) go out of their way to give back to theater fans who they know won't be able to get in to their show. Just different attitudes, I guess.
CarlosAlberto said: "I seriously wish she doesn't perform just so I can sit here with a glass of red wine and a bowl of truffled popcorn and enjoy myself reading the epic meltdown by all of you queens here on BWW.
Certainly, Bette's performance isn't owed to anybody, but if she doesn't come through, I'll be sad simply for the sake of American musical theatre history. We're often able to look back at historic performances/productions from generations ago because of Tony Award telecast recordings on YouTube. I'll be disappointed if this wonderful, landmark production doesn't have its own entry in that part of history.
BrodyFosse123 said: "Well, if indeed she doesn't perform, her performance in HELLO, DOLLY! has already been excellently archived (not officially) so full performance footage now survives of Bette as Dolly.
Of course she doesn't *have* to perform and the show doesn't even have to perform, but it's just so unsportsmanlike. And in such a supportive, warm community as Broadway is, it's just not right. I thought I couldn't get madder at Scott Rudin for prohibiting water bottles from his shows but this is cold and dumb.
Rudin is an infamously difficult and egotistical personality but not one that there seems to be much resentment toward within the community. At the end of the day, he produces quality work and gets results. I don't think this will really affect anything, awards-wise.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."