(It's easy to say what you hate, now say what you love)
RULES:
No bashing someone else's love of certain rhyming lines. You should at least say WHY you like it
Really tired now, so I will think of more. Right now:
Master of the House Quick to catch your eye Never wants a passer-by to pass him by
A lot of people don't really like MotH - yet it is probably one of the catchiest tunes - (think Seinfeld). I like this line becasue it 1) makes sense and goes deep into Thenardier's character (stealing and doing business, etc.). Also, it uses something that is so readily available in the English language the noun/verb formation (passer-by/pass (him) by). I think many composers seem to stray from it, creating cumbersone lyrics. This simple lyric fits well and is catchy.
Lord, who made the lion and the lamb, You decreed I should be what I am. Would it spoil some vast eternal plan If I were a wealthy man?
I love how Tevye comprehends the basic inequities of life, accepts his powerlessness over it all, yet dares to pose a good-natured challenge to the Omnipotent as he requests a change in his life's lot. (Interesting also that seldom does a prayer go unanswered in a musical as this one does.) Updated On: 3/21/05 at 01:17 AM
The entire dentist song from LSoH is amahzingly catchy. "Watch him suck up that gas-oh my GAWD!!! He's a dentist and he'll never ever be any good Who wants their teeth done by the Marqis de Sade?" I go around doing the entire first section with voices all day long
It's fop. Finest in the shop. Or we have some shepherd's pie peppered With actual shepherd On top. And I've just begun. Here's the politician — so oily It's served with a doily — Have one. Put it on a bun. Well, you never know if it's going to run.
'A Little Priest' is probably one of the most clever songs ever written. I could have used other sections of the same song since all of it is great.
"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"
"There are ships in the bay Which are sitting there today Just exactly where they sat On the Day of the Rat Oh, and speaking of that my lord When the ships came our way On that first disturbing day And I gave consideration to this letter they convey I decided if their weren't any Shogun to recieve it It would act as a deterrent since they'd have no place to leave it And they might go away, my Lord Do you see what I say, my Lord In the tea, my Lord, the Chrysanthmum tea And informal variation of the normal recipe Though I know my plan had merit It was slow in execution If there's one thing you inherit It's your Father's constitution And you're taking so long, my Lord Do you think I was wrong, my Lord No, you must let me speak: When the Shogun is weak Then the tea must be strong, my Lord My Lord"~~Chrysanthemum Tea from Pacific Overtures
'Chrysanthemum Tea' and 'A Little Priest' are both masterpieces in the art of lyric writing.
"One no longer loves one's insight enough once one communicates it."
The opposite of creation isn't war, it's stagnation.
In Sorry-Grateful there's one line that always makes me smile and it fits perfectly in context, out of context it might be a bad rhyme, but eh I like it as it works well with the show
"good things get better bad get worse. Wait I think I meant that in reverse" It's the only line in that song that's funny, the rest is just so beautifully-sad.
Sondheim is a genius though...
You're always sorry,
You're always grateful,
You hold her, thinking:
"I'm not alone."
You're still alone.
-"Sorry-Grateful" Company
"It's priest, have a little priest. Is it really good Sir its too good at least then again they don't commit sins of the flesh so its pretty fresh." - Sweeney
"Never put your faith in a cape and a hood they will not protect you the way that they should and take extra care with strangers even flowers have their dangers and though scary is exciting Nice is different then good" - into the woods
Advice: just always look at sondheim
When someone blunders, we say that he makes a misstep. Is it then not clear that all the ills of mankind, all the tragic misfortunes that fill our history books, all the political blunders, all the failures of the great leaders have arisen merely from a lack of skill in dancing. - Moliere
"Isn't it rich?" "Isn't it queer?" "Losing my timing this late, in my career."
"He is your friend, your partner, your defender, your dog. You are his life, his love, his leader. He will be yours, faithful and true, to the last beat of his heart. You owe it to him to be worthy of such devotion."
-- Author Unknown
One of my favourite examples of Sondheim's impeccable rhymes:
NOW
FREDRIK: Now, as the sweet imbecilities Tumble so lavishly Onto her lap, Now, there are two possibilities: A, I could ravish her, B, I could nap. Say It's the ravishment, then we see The option That follows, of course: A, The deployment of charm, or B, The adoption Of physical force. Now, B might arouse her, But if I assume I trip on my trouser Leg crossing the room... Her hair getting tangled, Her stays getting snapped, My nerves would be jangled, My energy sapped... Removing her clothing Would take me all day, And her subsequent loathing Would turn me away, Which eliminates B And which leaves us with A.
Now, insofar as approaching it, What would be festive But have its effect? Now, there are two ways of broaching it: A, the suggestive, And B, the direct. Say That I settle on B, to wit, A charmingly Lecherous mood, A, I could put on my nightshirt or sit Disarmingly, B, in the nude. That might be effective; My body's all right-- But not in perspective And not in the light. I'm bound to be chilly And feel a buffoon, But nightshirts are silly In mid-afternoon. Which leaves the suggestive, But how to proceed? Although she gets restive, Perhaps I could read. In view of her penchant For something romantic, De Sade is to trenchant And Dickens too frantic, And Stendhal would ruin The plan of attack, As there isn't much blue in "The Red and the Black." De Maupassant's candour Would cause her dismay, The Brontes are grander But not very gay, Her taste is much blander, I'm sorry to say, But is Hans Christian Ander- Sen ever risque? Which eliminates A...
Now, with my mental facilities Partially muddied And ready to snap, Now, though there are possibilities Still to be studied, I might as well nap. Bow Though I must To adjust My original plan, How Shall I sleep Half as deep As I usually can, When now I still want and/or love you, Now as always, Now, Anne?
What we have here is an ethical dillemma lest I help him get the mask removed he doesn't have a prayer True the gun was never fired but the way events transpired I could finish him with simple laizez-faire -- Little Shop
and
My built in female radar only zeroes in on zeroes I'm like the Actors Fund supporting wanna be DeNiros-- The Goodbye Girl
"This is late and I fear, well you see: there's a famin.
Could you wait for a year, we'll agree to examine it" (Pacific Overtures - Please Hello)
Because it is all rhymed in a way, it would have been spoken. Nothing forced.
(Fredrick)"She'd strike you as unenlightened (Desiree)No I'd strike her first! (Fredrick)Her reticence, her apprehension (Desiree) Her crust! (Fredick) No! (Desiree) Yes! (Fredrick) No! (Desiree) Fredrick! (Fredrick) You must meet my wife (Desire) Let me get my hat and my knife! (Fredrick) What was that? (Desiree) I must meet your wife (Both) Yes I (you) must....." (A Little Night Music - You must meet my Wife)
Because it is rhymed natural dialogue - perfect!
"As dumbbells go he's rather slow, And as for being saintly, even faintly, no. But who needs Albert Schweitzer when the lights are low! And oh boy, oh boy, can that boy fox-trot!" (Follies - Can that Boy foxtrott (cut song))
I hope this isn't going to become a thread of simply Sondheim lyrics. We all know his stuff is fabulous. How many examples do we really need....
Alan Jay Lerner's lyrics are often astounding. Some of his best are actually from LOLITA MY LOVE which closed out of town in Boston. Anyone who really loves lyrics should try to find one of the recordings of it.
Green Finch and Linnet Bird -- Stephen Sondheim from Sweeney Todd
Green finch and linnet bird, Nightingale, blackbird, How is it you sing? How can you jubliate, Sitting in cages, Never taking wing? Outside the sky waits, Beckoning, beckoning, Just beyond the bars. How can you remain, Staring at the rain, Maddened by the stars? How is it you sing anything? How is it you sing?
Green finch and linnet bird, Nightingale,blackbird, How is it you sing? Whence comes this melody constantly flowing? Is it rejoicing or merely halloing? Are you discussing or fussing Or simply dreaming? Are you crowing? Are you screaming?
Ringdove and robinet, Is it for wages, Singing to be sold? Have you decided its Safer in cages, Singing when youre told?
My cage has many rooms, Damask and dark. Nothing there sings, Not even my lark. Larks never will, you know, When they're captive. Teach me to be more adaptive.
Green finch and linnet bird, Nightingale, blackbird, Teach me how to sing. If I cannot fly, Let me sing.
Summer journeys To Niag'ra And to other places Aggravate all our cares. We'll save our fares. I've a cozy little flat In what is known as old Manhattan. We'll settle down Right here in town.
We'll have Manhattan, The Bronx and Staten Island too. It's lovely going through The zoo. It's very fancy On old Delancey Street, you know. The subway charms us so When balmy breezes blow To and fro. And tell me what street Compares with Mott Street In July? Sweet pushcarts gently gliding by. The great big city's a wondrous toy Just made for a girl and boy. We'll turn Manhattan Into an isle of joy.
We'll go to Greenwich, Where modern men itch To be free; And Bowling Green you'll see With me. We'll bathe at Brighton The fish you'll frighten When you're in. Your bathing suit so thin Will make the shellfish grin Fin to fin. I'd like to take a Sail on Jamaica Bay with you. And fair Canarsie's lake We'll view. The city's bustle cannot destroy The dreams of a girl and boy. We'll turn Manhattan Into an isle of joy.
We'll go to Yonkers Where true love conquers In the wilds. And starve together, dear, In Childs'. We'll go to Coney And eat baloney On a roll. In Central Park we'll stroll, Where our first kiss we stole, Soul to soul. Our future babies We'll take to "Abie's Irish Rose." I hope they'll live to see It close. The city's clamor can never spoil The dreams of a boy and goil. We'll turn Manhattan Into an isle of joy.
We'll have Manhattan, The Bronx and Staten Island too. We'll try to cross' Fifth Avenue. As black as onyx We'll find the Bronnix Park Express. Our Flatbush flat, I guess, Will be a great success, More or less. A short vacation On Inspiration Point We'll spend, And in the station house we'll end, But Civic Virtue cannot destroy The dreams of a girl and boy. We'll turn Manhattan Into an isle of joy!
It ain't necessarily so, It ain't necessarily so. De t'ings dat yo' li'ble To read in de Bible, It ain't necessarily so.
Li'l David was small, but oh my! Li'I David was small, but oh my! He fought big Goliath Who lay down an' dieth, Li'l David was small, but oh my!
Yeah! Oh, Jonah, he lived in de whale! Oh, Jonah, he lived in de whale! Fo' he made his home in Dat fish's abdomen, Oh, Jonah, he lived in de whale!
Li'l Moses was found in a stream! Li'l Moses was found in a stream! He floated on water Till Ole Pharaoh's daughter She fished him, she says, from dat stream.
Dey tell all you chillun De debble's a villun But 'tain't necessarily so. To get into Hebben, Don' snap for a sebben! Live clean. Look at me! Don' have no fault. Oh, I takes dat gospel Whenever it's pos'ble, But wid a grain of salt.
Methus'lah lived nine hundred years! Methus'lah lived nine hundred years! Say, but who calls dat livin', When no gal'll give in, To no man what's nine hundred years?
I'm preachin' dis sermon to show It ain't nessa, ain't nessa, ain't nessa, ain't nessa...