If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
That is a bit of a rave for AfterEight. I'm proud to see he is more adventurous than I thought.
I personally like the lyrics in "You Are What You Wear." The rhymes are absurd, but then so is the entire concept of the song, so they seem appropriate given the vapid, not too bright characters singing them, who are trying to pair fashion with food (!). I think we have to look at the song and its lyrics as total satire.
“I knew who I was this morning, but I've changed a few times since then.”
I was at the first preview last night and think this has all the makings of a hit. Favorite show moments were the business card scene and Cards, You Are What You Wear, the dinner party scene (which I don't want to give away) and the nightclub stuff, which were all choreographed like a music video. It is definitely more surreal and more out there than the film and book, but it works in this context. The show definitely needs some tightening, could probably cut down some of the scenes and probably lose a song (maybe two?), but the bones are there and the audience buzz was palpable. I was really wondering how they would translate the difficult subject matter to the stage and the result was transformative for what a Broadway musical can be. For Benjamin Walker, who I loved in Bloody Bloody, this is his real breakout star turn. The cast is gorgeous, as is the entire production (even the bloody moments are done with a Vogue-like style). My only other criticism was that I couldn't always hear Jen Damiano (and her voice is beautiful) but hopefully that is just a microphone or sound mixing issue. Also, Alice Ripley's role is small but she steals every scene. Helene York is hilarious, same with the guys who play Tim and Paul.
How was Morgan Weed? I know she is playing Patrick's Girlfriend's best friend who he has an affair with. How big is her role? I saw her in First Wives Club and she was a standout in her smallish role, so I was curious to hear what she was like in this.
I went in not expecting to love it, but I was VERY pleasantly surprised! I think this is my favorite non-Hamilton new musical that I've seen all year.
I saw the movie ~5 years ago and never read the book, but this is a pretty great musical adaptation. (I went with a friend who is obsessed with the book and movie and she loved it.) I thought I would be squeemish from the blood, but it's all done really tastefully. Duncan Sheik's score is incredibly catchy and works so well, the set/projection design looks incredible, and the staging is really slick. Benjamin Walker is giving a star-making performance here. He's onstage almost the entire show and he really anchors the piece. Helene Yorke is also great as the female lead, and Jen Damiano and Alice Ripley are sort of underused but great in their roles. (They have a GREAT scene/song together in act 2.) Also, this cast is SEXY and there is a lot of skin on that stage. Even Alice R shows skin.
It could be cut by 10-15 minutes, but I thought it was really strong for a first preview! (There were a few set change problems but no stops.) 2016 could be the year where Rupert Goold is nominated for 2 Tonys for direction (for both King Charles and this) - I was surprised he hasn't been nominated yet.
*SLIGHT SPOILERS There's also an amazing Les Miz parody moment and a hilarious Tom Cruise moment.*
gleek4114 said: "How was Morgan Weed? I know she is playing Patrick's Girlfriend's best friend who he has an affair with. How big is her role? I saw her in First Wives Club and she was a standout in her smallish role, so I was curious to hear what she was like in this.
Morgan was terrific. Her role is not huge, but she nails the archetype of a late 80's privileged Manhattanite and has two or three of the funniest lines in the show.
QueenAlice said: "Johnny -- do you think anyone in the cast (aside from Mr. Walker) gives a performance that could sneak in for a Tony nomination?
Not sure yet but probably. The other showy supporting roles in this are Helene Yorke (Evelyn) and Drew Morelein (Paul) and Theo Stockman (Tim). Maybe Jen Damiano (Jean) who is the innocent, beauty to the beast, heart of the story. But it's really Ben - he is almost the entire show - to call it a leading role is an understatement, it is THE role.
I tend to agree..but it could easily be Brightman. His show opened a while ago, and he's since quietly scaled back to 6 performances a week.
Also don't forget we still have Shuffle Along, Tuck Everlasting, and Waitress to open- I assume there will be leading male performances in those shows as well. The only real locks at this point are Burstein, obviously, and probably Lin-Manuel and Leslie.
Define skin. Lots of talk about skin, a lot of skin, etc. in this thread. Any actual nudity?
After Eight said: "An arch song relating food to fashion designers raises a few eyebrows. One lyric attempted to rhyme creme de menthe, here pronounced "menta," with Oscar de la Renta. Ouch."
I hated that this rhyme existed on the cast album. All I could think was "maybe Duncan Sheik doesn't know how to pronounce creme de menthe?"
"Contentment, it seems, simply happens. It appears accompanied by no bravos and no tears."
From what I've heard, Brian Strokes Mitchell and Brandon Victor Dixon, who are the leads in Shuffle Along, aren't show-stopping in any way. This is a year full of talented people and phenomenal shows, so I think that a lot of shows will be shut out (Tuck Everlasting, Allegiance, etc.)
I think the up hill battle AP might face is that the story is not the sort of thing general audiences are likely to cozy up to. Audiences for the film certainly didn't. It lost money domestically and after international sales, made something like $32M on a $17M budget. I'm happy to hear reports from those who admire it and wish them all the best.
The difference between 2000 when the movie came out and now is Dexter. Audiences are more familiar now with stories about serial killer anti-heroes. I'm not saying the show will be a hit, but the serial killer drama has been successfully commercialized now in a way that it maybe hadn't been in 2000.
MarsBars said: "I tend to agree..but it could easily be Brightman. His show opened a while ago, and he's since quietly scaled back to 6 performances a week.
Also don't forget we still have Shuffle Along, Tuck Everlasting, and Waitress to open- I assume there will be leading male performances in those shows as well. The only real locks at this point are Burstein, obviously, and probably Lin-Manuel and Leslie.
Define skin. Lots of talk about skin, a lot of skin, etc. in this thread. Any actual nudity?
"
Not really. One of the prostitutes and Helene York both wear see through shirts at one point but other than that, no.
CATS, point well taken. But still, stories about serial killers are still a niche market. The finale of Dexter was it's highest rated episode with 2.8M viewers. Not exactly blockbuster status.
It seems to be selling well thus far, and Bway audiences aren't normally phased by this kind of thing (Sweeney gets done in high schools all the time!)