ANGELS IN AMERICA (2018) Previews — Page 7

TotallyEffed said: "It wasn't especially brief. It was certainly more graphic than in London.

I think it's a big mistake to have Harper keep that blanket on in her "look at me" scene."

I was totally surprised by Pace's nudity last night. Since there was no warning anywhere I saw, I assumed it was something that developed in rehearsals.

Part 2 was tremendous. I was I one of the ones who started clapping at the sticky landing of the Angel at the end of Part 1 on Saturday. thinking "Oh, they're doing something new!" so I was a little worried about last night. But I was completely mesmerized and stunned by her big scene in Part 2. The performances, the choreography, the theatrical magic on display just blew me away.

Also, I was was 4th row on the aisle, which I loved, but it meant that frustrating metal thing was in my eyeline 100% of the time doing nothing. But then when it made its purpose known near the end of Part 2, I was simply stunned at the beauty, and it was a total payoff of 5 hours if it just hanging there.

I think everyone in the audience felt Part 2 took a little too long to get to the 1st intermission, I could the restlessness creeping in around me, but otherwise it continued to just fly by. Really great stuff, so beautifully presented.

greenifyme2 said: "I was also annoyed that big metal piece hung there for 7 hours doing nothing."

Would someone please explain, using a Spoiler box if appropriate, what this metal piece is and what purpose it serves? Our tickets are in center orchestra row M and I'm wondering if it will impact our view.

Lot666 said: "greenifyme2 said: "I was also annoyed that big metal piece hung there for 7 hours doing nothing."

Would someone please explain, using a Spoiler box if appropriate,what this metal piece is and what purpose it serves? Our tickets are in center orchestra row M and I'm wondering if it will impact our view."

It’s just a metal set piece that is hanging there with no function. It’s huge and I can’t imagine a seat where you wouldn’t be able to see it. It doesn’t negate the amazing performances, just a little disappointed it didn’t eventually lower or do anything spectacular.

bstoll1 said: "Toying on getting a last-minute ticket but as mentioned before a common available ticket seems to be last row of the theater. Not sure if it's worth it even if I am saving $100 or so. Would greatly appreciate feedback from those who sat in nosebleed seats."

I sat in the second to last row. The sound was pretty quiet (I'm not sure if the actors were miked?), but I could understand everything that was said. I could make out faces, but had to focus closely for detailed facial expressions. The man in front of me used tiny binoculars. I was happy with my seat for the price, and I'd do it again. I still felt connected to the show and was moved by the performances. However, if your hearing or vision isn't 100%, it may be worth it to wait for a chance at a closer seat with TDF.

As for the hanging pole...

Scarywarhol said: "^That functional pole is flown in and out. I believe we are talking about the much larger set piece up in the rafters, which may have been less visible from the Simon's steep rear mezz."

Ah, okay. I have no idea what you're referencing, so you can't see it from the back of the mezz.

Updated On: 3/2/18 at 04:51 PM

Scarywarhol said: "It's almost like it's just a giant scenic red herring. Like it's there to fake you out into thinking it will be lit up for the Angel's entrance at the finale of Millennium Approaches, and then to trick you into thinking it will lower into a spectacular new set when Prior climbs to Heaven in Perestroika. Truly bizarre.

I do want to eat some crow about the Angel. The puppetry was used to great effect in Part 2, even if awkwardly executed at times. That first entrance just felt like such a damp squib at the end of Millennium when I saw it. I found Perestroika to be a much more theatrical and exciting production in general, which might even out the experience for people who prefer Millennium as a play. The acting is mostly very good throughout both."

I ended up not caring much for the Angel actually. I was very intrigued by her at the end of Part 1 but in part 2 she just annoyed me. I’m not sure if it was the character or the actress, and the incessant “I, I, I” ‘s. It’s like she should have been mic’d with voice distortion. It was cool how they moved her around but I think I may have liked her better if Beth Malone had been in again.

went last night. it was stunning. give andrew the tony. cant wait to go back. if youre criticizing this, you voted for trump, or worse.

For Friday/Saturday's 7pm performances, did Part I end at 11:10pm and Part II at 11:25pm?

I'll be in NYC at the end of April and would love to see ONE of the halves. (Only have a spot for one).

Are tickets available from the box office for just one part? If so, I'm not understanding what I'm looking at.

Any suggestions would be appreciated.

Thanks

Lot666 said: "greenifyme2 said: "It’s just a metal set piece that is hanging there with no function. It’s huge and I can’t imagine a seat where you wouldn’t be able to see it. It doesn’t negate the amazing performances, just a little disappointed it didn’t eventually lower or do anything spectacular."

Is it hanging up high in the house? It doesn't impede your view of the show, right?"

Nope, definitely doesn't impede your view. It's probably the highest rigged set piece, huge as it is, and I don't think it can even be seen from the mezzanine.