Honestly felt like walking out at intermission, but didn't. I just ran right out at curtain call - really hated the show. The concept just didn't work. The cast was awesome, btw, so it wasn't for lack of talent.
A friend of mine just started rambling about how it's the best thing she's ever seen!
I didn't enjoy it at all when I saw it the first time it was on Broadway. I've never walked out of a show but that was one that I really came close to.
Here are some thoughts from the original Broadway production. I liked it and probably would have voted for it to win the Tony that year (which isn't saying much considering the nominees but I digress).
Fair play to you if it did nothing for you, but I thought it was a special thing indeed. Knowing a passing amount of Fela's music and influence (but not a lot about his life or political struggles), it was such a treat, to me, to see him get a spotlight in front of an audience not likely accustomed to his story or his style. The performers were tremendous, as you rightly noted, and I also loved getting a chance to see Antibalas live as the house band (their albums are great stuff.)
I thought the concept was thin but very effective at showcasing a great amount of the man's story, and most of all incredibly entertaining on both a theatrical and musical level. That it was unlike most everything I've seen and likely will see again just added to it. Loved it, and it made me more interested in his music and his legacy.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
I never saw the show on B'way, but saw the original off b'way production (with Susan Sarandon sitting next to me). I was totally immersed in the world and moved.
To each his own. But, yes, to leave AT curtain call is rude.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
No. You are right. This show was a complete and total disaster. Boring and with screeching singing all night long. Basically a waste of space on Broadway.
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I loved Fela. The rush seats by the runway were a lot of fun and you got to interact with cast at times. I knew nothing about Fela's life nor music before seeing it and now I'm a fan.
The production was very theatrical and the choreography excellent. I was rooting for Sahr to win the Tony too.
It wasn't the best year for new musicals, but Fela was the cream of that crop, IMO.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
I'm sure you're not the only person who hated it. I wouldn't even consider seeing it. How/why there would be a musical produced about an ignorant, chauvinistic, homophobic, and sexist individual is beyond me. Would anyone on this board be quick to flock to (and praise) a musical about a racist?
My reaction after seeing the original production was more admiration for both the cast and creating such a vivid theatrical experience, but at the same time - not being a fan of the music I felt somewhat distanced.
The touring company played Toronto about a year later and once again though I enjoyed the performances, I still did not connect with the show. My friend who attended with me made no bones about it - he HATED it. He did not even appreciate teh theatricality of the show. So you are not alone. No one is alone...
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
I didn't hate it, but I didn't get it. Or go gaga over it like most. After about 20 mins and settling in, I started wondering how long it was going to be ... Performances were amazing, just not exactly my kinda show.