Headed to London in the fall, but thought I'd create a broader thread for what's happening in the coming season.
I'm personally looking forward to and booking Look Back in Anger (Almeida), Oedipus (with Strong and Manville), Juno and the Paycock (Rylance), Giant at the Royal, and doing what I can do get into the Tennant Macbeth. The Real Thing also looks promising as does Dr Strangelove.
Interested to hear what people are looking forward to in the fall!
Oedipus Curious Case of Benjamin Button A Face in the Crowd The Lehman Trilogy Juno & the Paycock I Am Harvey Milk (concert performance) Waiting for Godot The Real Thing
A bit more play-heavy than I normally book.
Updated On: 8/18/24 at 02:27 AM
I'm moving to London in September for Grad School and already have a couple of shows lined up.
Booked
Next to Normal
Hello, Dolly!
Macbeth (w/ David Tennant)
Looking to Book
A Face in the Crowd
Shifters
Great Comet (gonna join the cancelation list for tix)
Stranger Things
Oedipus (Old Vic)
Oliver!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
ABBA Voyage runs 8 times a week, I count that as a West End show. Worth considering for the visual spectacle.
Juno and the Paycock. Why are people excited by this production? There was an authentically Irish production directed by a Tony winner in New York only last year, and nobody here seemed to care. Critically acclaimed, arguably a definitive version unlikely to be equalled. I think I was the only one who posted about it. What makes this different?
Beyoncé is not an ally. Actions speak louder than words, Mrs. Carter. #Dubai #$$$
Jay Lerner-Z said: "Juno and the Paycock. Why are people excited by this production? There was an authentically Irish production directed by a Tony winner in New York only last year, and nobody here seemed to care. Critically acclaimed, arguably a definitive version unlikely to be equalled. I think I was the only one who posted about it. What makes this different?"
I imagine Mark Rylance and J. Smith Cameron have something to do with the increased interest.
inception said: "How far ahead are shows in London announced? What's the best place to find listings? Thinking about a trip to London/Paris/Amsterdam around Easter.
I've already purchased tickets for one of the Philharmonie de Paris's concert productions of the French premiere of Gypsy starring Natalie Dessay."
Not a lot of shows have been announced for the Spring just yet. I’d say in a couple months, we’ll start to see some announcements. Probably the one most are talking about is Richard II at the Bridge Theatre with Jonathan Bailey. Looking forward to that.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Adding to what Dylan said, I’ve used Whatsonstage.com for years (…really miss their “goss” section) and recently started using Londontheater.co.uk for theater listings.
Very jealous about Gypsy with Dessay! While completely outside of her previous fach, she’s been doing some really interesting projects since she left opera (full staged opera productions, anyway).
Thanks Dylan for the heads up about Jonathan Bailey in Richard ll. During my dates Cymbeline is scheduled at Sam Wanamaker Playhouse. Both are plays I don't really know.
As well in April '25 Aigul Akhmetshina is doing Carmen in London again. I watched her Met Broadcast, and she is dynamic, but not sure I need to see her in person in that. I've seen Carmen many times.
Looks intriguing. Definitely will check it out! I like shows with political themes.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Play Esq. said: "Face In the Crowd reviewsare out...ouch. Looks like a show with a lot of promise, but it's going to take some time to get to where it wants to be."
There is a good show in there someplace with a very nice score but it's abysmally directed with probably a miscast leading lady. Ramin is doing the best work of his career but he can't save that second act.
Five days in October. We are seeing Juno and the Paycock with Rylance, Guys and Dolls, Starlight Express. Last week I was able to grab balcony seats for David Tennant Macbeth when they put more tickets on sale.
Play Esq. said: "I'm personally looking forward to and booking Look Back in Anger (Almeida),Oedipus (with Strong and Manville),Juno and the Paycock (Rylance), Giant at the Royal, and doing what I can do get into the Tennant Macbeth"
London is not on my horizon until 2025 or 2026. Were I able to journey over this autumn, I would definitely head to "Oedipus". I am absolutely mad about Lesley Manville, and am currently on my fourth viewing of "Mrs. Harris Goes to Paris". She could sit in the middle of a stage and not utter a word, and I would be enthralled.
Love Manville and saw her last in the Visit what a damn gem. Oedipus was a must, especially with Strong and Icke directing. Oedipusand Juno are now locks and I ended up adding Strangelove and Starlight (thank you Sunday performances!) to Look Back… and Giant.
Very satisfied with this, but damn I wish I could fit in Macbeth!