g.d.e.l.g.i. said: "Loopin’theloop said: "They toured with many original Meatloaf alumni in the pit, throughout the UK - I don’t know about over here."
Unless I've missed something, I have counted no members of the Neverland Express, in the programme or any of the show's press. (All of the most recent Meat Loaf alumni, incidentally, are busy with their own Loaf-a-like act, which you can learn about here. We'll see which show lasts longer.)
"The story, script, direction and acting kinda have to be seen to be believed"
Ain't that the truth. *grimace*"
That’s interesting. To be honest I would never know otherwise but that’s what someone involved in the show told me, perhaps there have been session musicians that have played with him (is that a thing or is it the same core of musicians always?) maybe it was just a big fat lie!
Sondheimite said: "I feel terrible for the cast/crew who now are out of work/PAYCHECKS.
Cohl doesn't have to worry about how his bills will be paid for the next year because he's a very wealthy man.... the cast/crew does."
As I said above, this mystifies me. There is plenty to criticize Cohl about but that cast and crew were enriched for a few months. On what planet is that "cruel" ? Better to leave them unemployed for MORE weeks this year?
Where are the brain cells around here? I am just in awe of the dearth.
HogansHero said: "Sondheimite said: "I feel terrible for the cast/crew who now are out of work/PAYCHECKS.
Cohl doesn't have to worry about how his bills will be paid for the next year because he's a very wealthy man.... the cast/crew does."
As I said above, this mystifies me. There is plenty to criticize Cohl about but that cast and crew were enriched for a few months. On what planet is that"cruel" ? Better to leave them unemployed for MORE weeks this year?
Where are the brain cells around here? I am just in awe of the dearth."
Understand the situation you speak on before you speak on it, lil bub.
Touring in something like Hamilton or Phantom is one thing. You'd have that job for as long as they'll have you. And those are the sort of shows that tour these days- shows that are essentially sure bets, with a marquee title or a Best Musical Tony.
But opening something like Bat Out of Hell on the road? That is just a major, major gamble.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I guess I'm confused about touring money. Like, wouldn't it be the venues that take the hit? Instead of the producers of the show? Didn't they already have their venues lined up, etc, so is it more like "we estimate to make THIS amount of money for this show," bit turns out tickets weren't being sold, so the theaters pulled out? Or how does that all work.
It was never canceled at City Center? I mean since new broke earlier, ever article I ready was specific that it was just the tour "postponed" but that City Center was still on.
It would've absolutely been better for the cast and crew to have never booked this show in the first place. It's not just about a paycheck. Several people gave up their apartments or found sublets for the length of the tour. Some left currently running Broadway shows. If they'd never been employed by this show, their lives would've remained the same. Some may have found other work that they turned down to do this tour. Make no mistake about it - their lives would be better if they'd never been involved in this mess. I don't see how anyone could not understand that.
You’re being ridiculous, HogansHero. Going out on tour usually causes a huge shake up in one’s life. When I did it I gave up my apartment and put my whole life in storage. I would have been financially shattered if what happened here had happened to me. Read Bradley Dean’s post if you haven’t.
Yeah but had this not have happened, it would have been more advantageous for them to take the tour. This should have been a tiered tour to start anyway. If things like Hello Dolly aren’t going out production, theh the producers were just naive.
It’s not even that I disagree with what HogansHero is saying; I just don’t know what it is he’s trying to say. Are you saying the producers didn’t mess up here? That actors being suddenly out of a job isn’t bad? Are you just trying to start something?
This is not good. Everyone made some money for the past two months, yes, but they put their entire lives on hold for a year-long national tour. They have to figure out where to live now. They won’t have a steady, $2,000/week paycheck for the next year after being told they would. That’s horrible. Stop trying to start an argument about this, like you always have to. If you thrive off of this kind of petty drama, evaluate yourself.
Yeah. Cuz this is totally how this works and next thing we’ll see a kickstarter page to get the tour to keep going.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Well, since there's no tour to discuss and Ellen Foley was mentioned above by our German friend, can anybody tell me why Ellen Foley is not credited anywhere on the album, cassette or CD of BAT OUT OF HELL? I recognized her voice because I was a fan of a TV show she did with Debbie Allen when I was a teen and I saw her in the pre-Broadway INTO THE WOODS in San Diego. At first hearing, I thought I was mistaken, but over time I nearly tore the album sleeve apart looking for some mention of her name.
Has the omission ever been discussed publicly? Is there some legend known to Steinman fans?
I wonder how many people assume it is Karla (Mrs. Robbie Benson) DeVita on the recording because she did the videos and the tour?
They’re still advertising this as beginning on Wednesday in Detroit, which just poor on the part of local producers and the tour producers.
And I want to give Bradley Dean a freakin’ hug. It feels like he’s becoming one of broadway’s unluckiest guys—really, really talented, willing to take chances, and not to mention a genuinely good guy.
GavestonPS said: "Well, since there's no tour to discuss and Ellen Foley was mentioned above by our German friend, can anybody tell me why Ellen Foley is not credited anywhere on the album, cassette or CD of BAT OUT OF HELL? I recognized her voice because I was a fan of a TV show she did with Debbie Allen when I was a teen and I saw her in the pre-Broadway INTO THE WOODS in San Diego. At first hearing, I thought I was mistaken, but over time I nearly torethe album sleeve apart looking for some mention of her name.
Has the omission ever been discussed publicly? Is there some legend known to Steinman fans?
I wonder how many people assume it is Karla (Mrs. Robbie Benson) DeVita on the recording because she did the videos and the tour?"
Are you sure she's not credited? Because I've pored over several editions of that album, and I'm pretty sure she is, albeit not prominently. (She's sort of lumped in with the group of musicians listed after each of the songs.)
It is no secret and I am pretty sure she is credited somewhere as g.d.e.l.g.i. says. It's a pretty well known thing that she is singing. DeVita is lip-synching on the video. Maybe she had a schedule conflict. She was Sheila in Hair around that time.
Ellen had her own career stuff going on, yes (3 Girls 3 which Gaveston mentioned, the Hair revival which HogansHero brought up). But the album was already done and dusted (and being shuffled to various labels) by spring 1977 (it would eventually be released that fall), so there wasn't exactly a scheduling conflict. As I understand it, off the back of Bat, Cleveland International offered her a solo deal, and she wasn't all that keen on joining Meat on the road and only being showcased in certain numbers. Karla DeVito (with an 'o', if you please :P ) stepped in, and was a better fit for the stage show by all accounts.