Hopefully, this is heavily tooled and refocused. I saw the original 1978 Broadway production more than a handful of times during its 4 year run on Broadway and was utterly disappointed when I saw this “revival” in San Diego. This new generation of dancers are purely technical, which was not Bob Fosse’s interpretation style. He rehearsed like a madman so every inch of the choreography was etched into your brain it was second nature. Then he let you loose and let you dance as you felt it. Each dancer added his own personality to the choreography so it looked organic — which in today’s technical era, looks sloppy and not in-sync. Bob Fosse wanted that. If you watch footage of Gwen and Chita dancing “Hot Honey Rag” from CHICAGO, they are loose, sloppy, and drunk (to today’s eyes). THAT, my friend, was Bob Fosse’s dance intentions - dance, don’t show the choreography. I cringe every time I see these young dancers at the Verdon/Fosse Legacy dancing the choreography with robotic sharp precise movements. That wasn’t Bob Fosse.