As much as I love Dolly Parton with my entire being, a lot of the 9 to 5 score was cringe worthy with its rhymey rhymey lyrics. There are far too many to cite, but Dolly like her lines to rhyme perfectly it seems.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
My favorite is "Touch me...where the figs lie" from Spring Awakening. Like, what on earth is that?
There are LOADS in West Side Story. How about: "The world is full of light/With suns and moons all over the place" or pretty much all of "One Hand One Heart."
And then quite a few in Rent as well. "Let's go eat I'll just get fat/It's the one vice fat when you're dead meat" in "Christmas Bells" and then Benny's background "Forces are gathering" in "Rent."
Every William Finn song sounds like it was written in 3 minutes.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
What I hate about that Wicked lyric is the way it is performed. Has anyone ever intentionally paused on "confess" briefly and then said "a" to make it sound like they are two different words?
Whenever I have seen it performed (I guess it's always been the same guy though and the cast recording) they kind of merge it as "confessa" reason..(although maybe it's important for the 'rhyme')
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
When a person's personality is personable, He should not sit like a lump. It's harder than a matador coercin' a bull to try to get you off of your rump.
Because, AfterEight, "So Long, Farewell" is meant to realistically convey a casual home-made entertainment by seven children to be performed for their father's dinner guests written with the help of their governess who, rather than being a professional lyricist or even a BMI student, is on leave from a convent.
Accordingly, the music is intentionally unsophisticated, the words deliberately pedestrian, and the effect completely charming. Updated On: 11/4/11 at 09:14 AM
"My favorite is "Touch me...where the figs lie" from Spring Awakening. Like, what on earth is that?"
It's his crotch.
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."
I love listening to the score of "In the Height," especially when I'm in a bad mood. However, in "The Club," the whole Benny/Nina exchange annoys the crap out of me, but these section particularly throws me off. I don't know why.
BENNY He loves to remind me that I'll never be good enough for your family For you NINA You don't know me BENNY Poor you NINA I thought you were different
I think that my brain was expecting an ABAB rhyme scheme when Benny rhymed "For you" and "Poor you." But Nina didn't join in with the rhyming.
I really like the "touch me... where the figs lie" lyric. I've always thought it made perfect sense if you hear it as fig [leaves] lie. (Like pictures of Adam and Eve.)
That said, most of the lyrics in Spring Awakening I find confusing. This one is from the same song, and I've never gotten the reference.
"Where I go when I go there, no more shadows anymore. Only men with golden fins, The rhythm in them, rocking with them to shore" Updated On: 11/4/11 at 01:15 PM
Don Black's "translated" lyrics for Gerard Presgurvic's Romeo et Juliette.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
"A lot of the 9 to 5 score was cringe worthy with its rhymey rhymey lyrics. There are far too many to cite, but Dolly like her lines to rhyme perfectly it seems."
Are you being ironic? That score is filled with false rhymes, not "perfect" ones.