After watching the film it only feels like a matter of time before it happens lol. What do you think?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I literally just saw the movie today and was thinking the same thing. Probably would be a whole lot pinker than Legally Blonde lol!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Watching it I thought it was a story that sings, and I would love to see an up and coming team take a crack at it with an veteran director like Tina Landau at the helm.
The first Shaiman and Wittman musical was Barbie, renamed “Living Dolls” for legal reasons and produced as an unauthorized parody. Apparently Mattel has flirted with the idea of authorizing and producing it since the writing team’s later success, but nothing has come of it.
A bunch of the Barbie movie profiles talked about this is the launching point for a reinvention of Mattel as a Disney-style IP company rather than a toy company. Wouldn't surprise me at all if they're looking into Broadway and other entertaint beyond movies. IDK if that means they'll ever get there though.
Marc Shaiman and Scott Whitman actually wrote a musical that MTC did called Living Dolls, inspired by Barbie. Ken and Midge were also featured. Marc posted some demos of songs from it on Friday on his public Facebook.
"I know now that theatre saved my life." - Susan Stroman
Oh god I truly hope not. Hollywood needs to learn not everything needs to be remade, and Broadway needs to learn not everything needs to be adapted for the stage. Enough!!!
binau said: "After watching the film it only feels like a matter of time before it happens lol. What do you think?"
For those that don’t know - At Walt Disney World in Epcot there used to be a Barbie show that was performed daily, it had songs and was a full production. This was in the mid 90s, you can find videos of it on YouTube.
Mattel has already for over 30 years been making Disney-esque animated Barbie films, often in the past sold as direct to market videos. Going back to the 80's they made advertorial children's programming to sell their other product lines like He-man & the Masters of the Universe.
While Disney cares about putting out well thought out films, Mattel's entertainment output has always clearly been about selling toys first.
Even with this film it reportedly took a lot of convincing to include references to past missteps like the Pregnant Midge which had to be pulled from shelves, or the cancelled collector Silkstone "Sugar Daddy Ken." It helped that none of the executives involved with those are still with the company.
I don't see Mattel backing a Broadway show just for the sake of having a Broadway show. They would only do so if they could see it increasing toy sales significantly.
inception said: "Mattel has already for over 30 years been making Disney-esque animated Barbie films, often in the past sold as direct to market videos. Going back to the 80's they made advertorial children's programming to sell their other product lines like He-man & the Masters of the Universe.
While Disney cares about putting out well thought out films, Mattel's entertainment output has always clearly been about selling toys first.
Even with this film it reportedly took a lot of convincing to include references to past missteps like the Pregnant Midge which had to be pulled from shelves, or the cancelled collector Silkstone "Sugar Daddy Ken." It helped that none of the executives involved with those are still with the company.
I don't see Mattel backing a Broadway show just for the sake of having a Broadway show. They would only do so if they could see it increasing toy sales significantly."
Yes. It used to be all about selling toys. But, as I said above, Mattel has a new CEO who wants to reshape the company to make money off of its IP and not focus everything on toys. Obviously there were growing pains with their very first dive into this. I would be shocked if there weren't. But the Barbie money will speak and will loosen them up going forward. They put their faith in a real director and not a puppet and it has gone fantastically for them. I agree they won't put a show on Broadway just to be on Broadway. But, if they think it can make money, then they'll go for it.
bwayobsessed said: "I was watching the movie and was like these characters want to sing-at least in Barbieland. Like the music would swell and they’d just keep talking…"
Every so often a movie has the rhythms and cadences of a musical. It doesn’t even have to be a great movie, it’s just a thing that happens. The one I always think of is “Dark Shadows.” You can watch the movie and immediately spot “song cue, song cue, group number, song cue.”