#26
Posted: 12/17/24 at 8:50pm
It's probably good I am not a producer as there are a half dozen shows pulling numbers I never would have imagined!
Broadway Grosses: Week Ending 12/15/24 — Page 2
#27
Posted: 12/18/24 at 7:30am
If Cabaret isn’t making a profit right now I think that’s just bad producing.
Give me claws and a hunch, just away from this bunch.
#28
Posted: 12/18/24 at 12:23pm
Not surprised about Gatsby and never have been. It sold itself as a big Broadway show and while that isn’t what the book is, it’s what audiences want. Death Becomes Her is a far superior show and it’s snagging the same audience who wants Big Broadway. Add in the comedy factor and I see DBH continuing to grow into a big hit. The word of mouth can not be underestimated.
#29
Posted: 12/18/24 at 12:42pm
WldKingdomHM said: "They gotta let Harry Potter go soon"
The Lyric is a HUGE theater and as long as Harry Potter is able to make its weekly nugget I think it'll stay there.
It seems to me that small-midsize theaters tend to be the preference of most Broadway producers. If Harry Potter leaves the Lyric, ATG may have a hard time finding a new long-term tenant.
#30
Posted: 12/18/24 at 12:56pm
If Harry Potter closes is ATG or the shows producers required to revert the house back to how it originally was, a la Here Lies Love and now Cabaret? I believe the Curran and Mirvish theatres are still in their Harry Potter configurations.
My father (AIDS)
My sister (AIDS)
My uncle and my cousin and her best friend (AIDS, AIDS, AIDS)
The gays and the straights
And the white and the spades
Updated On: 12/18/24 at 12:56 PM
#31
Posted: 12/18/24 at 1:36pm
Call_me_jorge said: "If Harry Potter closes is ATG or the shows producers required to revert the house back to how it originally was, a la Here Lies Love and nowCabaret?I believe the Curran and Mirvish theatres are still in their Harry Potterconfigurations."
The producers really assumed this play would run for decades in New York. The changes they made are so major, the cost must have been astronomical.
#32
Posted: 12/18/24 at 1:55pm
Call_me_jorge said: "If Harry Potter closes is ATG or the shows producers required to revert the house back to how it originally was, a la Here Lies Love and nowCabaret?I believe the Curran and Mirvish theatres are still in their Harry Potterconfigurations."
The renovations for this were far more structural and substantial than something like HLL or Cabaret (which are more cosmetic) - I would imagine ATG and the producers have worked out a way to split the costs.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#33
Posted: 12/18/24 at 1:57pm
inlovewithjerryherman said: "Apparently the weekly nut isn't as high as you'd think. And even if they skirt along breaking even for a year, the upcoming HBO series is likely to give them a big shot in the arm."
A TV show that is at least two years away is not giving anyone a shot in the arm for quite a while yet.
#34
Posted: 12/18/24 at 4:02pm
Kad said: "Call_me_jorge said: "If Harry Potter closes is ATG or the shows producers required to revert the house back to how it originally was, a la Here Lies Love and nowCabaret?I believe the Curran and Mirvish theatres are still in their Harry Potterconfigurations."
The renovations for this were far more structural and substantial than something like HLL or Cabaret (which are more cosmetic) - I would imagine ATG and the producers have worked out a way to split the costs."
The theatre owners may want to keep the theatre at its reduced -- but still large -- size. That may provide more ptions than the original white elephant.
#35
Posted: 12/18/24 at 5:17pm
Count me as someone surprised by Gypsy's success. I really thought they would struggle. I still think they might peter out (remember when Beanie in Funny Girl did three straight months of over $1 million per week?). But, this is certainly a great start.
#36
Posted: 12/18/24 at 5:47pm
Kad said: "The renovations for this were far more structural and substantial than something like HLL or Cabaret (which are more cosmetic) - I would imagine ATG and the producers have worked out a way to split the costs."
ATG covered the costs of the renovation themselves as a bid to get the show in the Lyric. Hence, how the production recouped. Between both the renovation and the capitalization, recoupment would have meant paying back nearly $60million. Which...did not happen.
#37
Posted: 12/18/24 at 6:28pm
Plus, the renovation looks 10x better than the Ford’s/Hilton/Foxwood’s (?)/lyric ever did.
#38
Posted: 12/18/24 at 8:29pm
As I’ve said before, the path forward after Potter closes is to restore the Lyric back into two medium sized theatres, and unlock the Times Square theatre in the process. It’s what’s best.
#39
Posted: 12/18/24 at 8:32pm
Broadway Flash said: "As I’ve said before, the path forward after Potter closes is to restore the Lyric back into two medium sized theatres, and unlock the Times Square theatrein the process. It’s what’s best."
The prodigal son returns! That was a quick ban.
I'm just here so I don't get fined
#40
Posted: 12/18/24 at 9:09pm
Broadway Flash said: "As I’ve said before, the path forward after Potter closes is to restore the Lyric back into two medium sized theatres, and unlock the Times Square theatrein the process. It’s what’s best."
nobody is putting that type of money up.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
#41
Posted: 12/19/24 at 8:03am
OhHiii said: "Kad said: "The renovations for this were far more structural and substantial than something like HLL or Cabaret (which are more cosmetic) - I would imagine ATG and the producers have worked out a way to split the costs."
ATG covered the costs of the renovation themselves as a bid to get the show in the Lyric. Hence, how the production recouped. Between both the renovation and the capitalization, recoupment would have meant paying back nearly $60million. Which...did not happen."
This. ATG paid for the renovations. They spent $23 million to buy out Cirque du Soleil, and then another $10 million to modify the theater.
Cursed Child itself was capitalized at $35.5 million.
#42
Posted: 12/19/24 at 8:25am
Jarethan said: "Kad said: "Call_me_jorge said: "If Harry Potter closes is ATG or the shows producers required to revert the house back to how it originally was, a la Here Lies Love and nowCabaret?I believe the Curran and Mirvish theatres are still in their Harry Potterconfigurations."
The renovations for this were far more structural and substantial than something like HLL or Cabaret (which are more cosmetic) - I would imagine ATG and the producers have worked out a way to split the costs."
The theatre owners may want to keep the theatre at its reduced -- but still large -- size. That may provide more ptions than the original white elephant."
I'm very curious in the renovation - I see online they reduced seating by 400 seats - did they lose seat on all levels or just one or 2? Did it improve sight lines? I remember the Mezz and Balcony being incredibly far from the stage in the original configuration.
Updated On: 12/19/24 at 08:25 AM
#43
Posted: 12/19/24 at 2:23pm
I’m sure others can describe it more appropriately, but it seems like they just encased the auditorium with faux walls. They also changed the seat configuration on the first level to have a single center aisle instead of two aisles.
auditorium pre HP:
View from stage
View of stage
Profile view
Current configuration:
View from stage
View of stage
Profile view
My father (AIDS)
My sister (AIDS)
My uncle and my cousin and her best friend (AIDS, AIDS, AIDS)
The gays and the straights
And the white and the spades
#44
Posted: 12/20/24 at 11:08pm
As I remember, they essentially eliminated the fort 10 or so rows of the orchestra, and moved thee stage ‘toward the audience’. As a result, the mezzanine and balcony levels re that much closer to the stage, as is the rear of the orchestra.
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