Click below to access all the Broadway grosses from all the shows for the week ending 12/25/2022 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Of all of this season’s shows, only & Juliet and Ain’t No Mo played to above 90%. The other 15 from this season, along with A Strange Loop, couldn’t crack 80%. 😞
I have tickets for 1776 and Ohio State Murders Sat Jan 7 and neither show is very well sold. The seats I have are quite far off to the side (LincTix/HipTix)...with the theatre so empty, what's the protocol, if there is one, for moving closer? Ask at the box office?
The only time I've ever moved seats, the show closed the balcony and the ushers moved everyone to the mezz (Indecent).
I think the winter storm and its impact on travel really caused this box office hit. I know how lucrative this time can be and to have that thwarted 2 years in a row is a big disappointment.
Wondering if we will see more showing closing in the next couple weeks. I have tickets to a few shows I'm wondering if they'll still be around when I'm there.
A reminder that most shows did only 7 performances this week and will be doing 9 performances this current week.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I realize most of these #’s are based on a 7 show week but still…those are some drastic drops! What happened to A Beautiful Noise suddenly? And yes, SLIH is really on thin ice at this point. Ouch!
Mr Meron would be well-served to expand his papering at the Shubert.
(For 1776 and Ohio State Murders, if they don’t move you first, you could safely move to a better seat at 2:03pm or 8:03pm, just before the show starts. The performers would actually be grateful if you do.)
jacobsnchz14 said: "Of all of this season’s shows, only & Juliet and Ain’t No Mo played to above 90%. The other 15 from this season, along with A Strange Loop, couldn’t crack 80%. ?"
ASL really got battered this week with three cancelled performances due to illness, including the 23rd evening and 24th matinee - both potential big money days.
Not surprising as I mentioned in the other thread at how the non-stop 16 performance stretch over 11 days really battered the main cast and understudies down.
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Wait until 8:04 and just move to an open seat. I did that at Ohio State Murders. Just beware that there is always a chance someone will show up after the show has started. At OSM there were so many open seats so it wasn’t an issue.
I can't understand A BEAUTIFUL NOISE's numbers. Well over $1 million the weeks prior and then a drastic drop for this week. Meanwhile, this current week looks solid and will probably be around $1.5 million for a 9 show/week. Really curious to see how it does over the winter.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
BorisTomashevsky said: "Mr Meron would be well-served to expand his papering at the Shubert.
(For 1776 and Ohio State Murders, if they don’t move you first, you could safely move to a better seat at 2:03pm or 8:03pm, just before the show starts. The performers would actually be grateful if you do.)"
BroadwayBen said: "Broadway should just take 3 months off and come back in March. Yikes...This is so disheartening..."
Please tell me this is a joke? The industry would struggle more being closed than open. What needs to happen is ticket prices need to be lowered, that can draw audiences in, and maybe, just maybe have producers not invest so much money into a show that may or may not be a hit. Have the show scaled down a bit. The US economy is still trying hard to recover from the pandemic. No one ever thought this recovery would be a walk in the park on an ordinary Sunday! (Pardon my Sondheim reference, just had to)
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
ACL2006 said: "A reminder that most shows did only 7 performances this week and will be doing 9 performances this current week."
THIS!
And while Christmas week is generally a good time for Broadway musicals, the 24th & 25th are often bad days at the box office...and this year they happened to fall on Sat & Sun, what should be the two best box office days of the week. That plus a lot of messed-up travel plans due to the storm = a crummy week all around.
Next week will tell a better story. The numbers a month from now will be even more instructive.
These shows are also taking way too long to release discount codes. You build word of mouth during previews and it seems like most producers forgot that? Looking at the seats for some upcoming musicals starting in March - it’s bad. And no discount codes. I just don’t get it.
Jordan Catalano said: "These shows are also taking way too long to release discount codes. You build word of mouth during previews and it seems like most producers forgot that? Looking at the seats for some upcoming musicals starting in March - it’s bad. And no discount codes. I just don’t get it."
A BEAUTIFUL NOISE needs a good discount code for the Winter for Tue-Fri evenings.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
The thing that amazes me is that all the war horses did really well; hell, even Chicago went up this week (do they have any stunt casting that I am not aware of?). Unless something changes, I can (a little exaggeratedly) envision a Broadway someday in which the average age of the shows is 26 years, the only new musicals are Juke Box musicals, and all new shows open for a limited engagement only, with star names helping to entice people to attend. 'See Brad Pitt as Don Q'...'see Sandra Bullock as Hedda Gabler' and etc. You wanna see something new without a star?? That's strictly off-Broadway (which is fine for people living in NYC, but is going to see further decreases in attendance by even Jerseyites, let alone tourists). Hell, we have already been heading in that direction for some time...it'll just be moreso.
I can already predict that the old war-horses will do even better next week, FG will break the house record again, that the slightly older newish (newer oldish?) musicals (Hadestown, Moulin Rouge) will do great (because the older musicals are already sold out) and maybe even break house records, that one new musical (&J) will do great, and everything else will do worse (factoring out the 9 vs. 7 performance variable). And it's still Christmas week.
If SLIH is heading to the disaster people think is possible (hell, it only grossed $32K more than KA, and $110K less than Almost Famous!!!!), why would anyone want to invest in a new musical? The difference in business that Piano Lesson is doing relative to Topdog, Death of a Salesman, Riverside, Cost of Living, and etc., is certainly proof of the need for stars. Does anyone think Piano Lesson would be doing much better than any of the others if it did not have Samuel L Jackson, supported by JD Washington's Broadway debut?
I remember X years ago when a bunch of shows advertised greatly reduced prices for January - March, with a couple of exclusions (Sat pm, President's week-end). I do not, however, remember if it made a difference. Does anyone else remember? Not sure whether any actions will reap positive results, but it would be nice to see some of the theatres housing well reviewed shows at least better attended.