tacotheatrelover said: "Why rip on one production of a show when countless other theatres just ripped the Mendes production right out of the depths and put them on their stage. The director has said on multiple occasions that He's wanted to direct "Cabaret" since he saw it on Broadway with Alan Cumming and honestly did a damn good job. Yes a lot of the costumes are inspired from the London Production. Yes it might look like just a blatant ripoff of the London production but i can assure you it is not. Why make art if no one enjoys it, If it makes people come back around again and again like a lot of people have according to front of house, Why criticize it.? It did was it was supposed to do and was only around for a month, and that was the best damn month of theatre I have had."
Who criticized? I was pointing out the truth: the director was inspired by both Frecknall AND Mendes’ productions. That’s obvious.
I don’t doubt the production you saw was very good, but I always get the ick when someone cops someone else’s intellectual property and tries to pass it off as their own simply because the majority of people seeing it won’t know the difference or won’t care. That includes all the productions that were heavily stealing Robert Brill and William Ivey Long’s design aesthetics, and will continue as they steal Tom Scutt’s designs.
To be clear, YOU did nothing wrong by seeing it. I’m glad you enjoyed yourself so much and that you’re immersing yourself in theatre as much as you can. I hope you get the opportunity to see the show in New York as well.
Updated On: 1/26/24 at 08:13 AM