#1
Posted: 9/26/05 at 10:26am
While hundreds of Broadway fans were attending the Katrina Benefit last night, I was invited to a secret and private "event" a few blocks away. As the subject heading reveals, I was fortunate to have witnessed the birth of the brand new musical by Marc Shaiman, Scott Wittman and Terrance McNally - Catch Me If You Can.
I originally was not going to post any comments as I was invited in strict confidence and certainly not as press. After talking to the cast and creative team that was there, I was "authorized" and encouraged to at least give a first report on some aspects of the production. So the following is not a review in the slightest since it was the first time they went through the show and the book is not complete, etc.
First off, the cast last night (No casting has been done, of course - this is just the roles as they were played by last night)
Frank Abagnale, Jr: Matt Morrison
Hanratty: Nathan Lane
Frank Abagnale, Sr: Tom Wopat
Paula Abagnale: Christine Ebersole
Brenda: Celia Keenan-Bolger
Cheryl Ann: Sara Gettelfinger
The ensemble had the best and brightest voices that have been on Broadway including Chester Gregory, Shayna Steele, Luther Creek, Melinda Hull, and several others.
The book follows the film pretty closely in plot with some changes, naturally because of the change in medium. There's a clever story telling device throughout but I won't spoil it. The "classic" lines are all there as well as several new ones that are bound to be quoted.
Last night the real treat was hearing the score - which was complete - with 18 songs. While numbers may get cut or replaced, I feel more confident talking about the music and lyrics as they were complete. Usually at these readings or workshops, there's just a piano. It was clear last night that Marc and Scott wanted those in the audience (about 40 of us) to get the full effect of the show and thus, brought in an orchestra.
Most of us have heard "50 Checks" as it was posted here on BroadwayWorld. I've also been in possession of a demo cd with 6 or so tracks on it for a few months now, so I was very excited to hear what else the duo had come up with.
Now, even tho this takes place around the same time as hairspray (a few years later to be exact) the music and feel is entirely different. I'm not sure how I would explain it other than to say - they just are more "mature" - and that's because of the subject matter.
The songlist includes:
THE REAL TRUTH LIES (Frank Jr)
FIFTY CHECKS (Frank Sr)
LAST DECEMBER IN MONTRICHARD (Paula)
SOMEONE ELSE'S SKIN (Frank Jr)
JET SET (Ensemble)
I DON'T GET IT (Hanratty)
YOU GOTTA PAY FOR LOVE (Cheryl Ann)
THE MAN INSIDE THE CLUES (Hanratty)
BUTTER OUTTA CREAM (Frank Jr & Sr)
MY FAVORITE TIME OF YEAR (Hanratty)
DON'T BE A STRANGER (Paula & Frank Sr)
DOCTOR'S ORDERS (Nurses and Shayna Steele)
SEVEN WONDERS (Frank Jr)
BREAKING ALL THE RULES (Hanratty)
BURY ME BESIDE THE ONE I LOVE (Brendas Parents)
FLY, FLY AWAY (Brenda)
RUNNING TOGETHER, NEVER APART (Paula, Frank Sr.)
BUTTER OUTTA CREAM reprise (Frank Jr & Hanratty)
It might sound like a whole-lotta-asskissin' but I have to say there wasn't a bad number in the bunch. There wasn't a song I said "oh.. that'll probably go" It's a very strong score with some amazing standouts including "Jet Set" (as catchy as You Can't Stop The Beat and Welcome to the 60s), "You Gotta Pay For Love" (No one can sell a sutlty number like this as good as Sara Gettelfinger!), "Butter Outta Cream", "Fly, Fly Away" (a song which delayed the dialogue after since the audience was clapping feverishly with Celia's performance), and several others. Christine Ebersole sang her songs so beautifully and Nathan Lane not only showed off his comical chops with his delivery of "I Don't Get It" but also handled the ballads wonderfully in the show with ease and heart.
It looks like Jack O'Brien will be directing with Jerry Mitchell doing the Choreography. Amongst the high profile attendees, Architect and Set Designer David Rockwell was also in attendance.
In summary, there so much to look forward to with this upcoming musical. The only frustration is that we'll have to wait until next season....
I originally was not going to post any comments as I was invited in strict confidence and certainly not as press. After talking to the cast and creative team that was there, I was "authorized" and encouraged to at least give a first report on some aspects of the production. So the following is not a review in the slightest since it was the first time they went through the show and the book is not complete, etc.
First off, the cast last night (No casting has been done, of course - this is just the roles as they were played by last night)
Frank Abagnale, Jr: Matt Morrison
Hanratty: Nathan Lane
Frank Abagnale, Sr: Tom Wopat
Paula Abagnale: Christine Ebersole
Brenda: Celia Keenan-Bolger
Cheryl Ann: Sara Gettelfinger
The ensemble had the best and brightest voices that have been on Broadway including Chester Gregory, Shayna Steele, Luther Creek, Melinda Hull, and several others.
The book follows the film pretty closely in plot with some changes, naturally because of the change in medium. There's a clever story telling device throughout but I won't spoil it. The "classic" lines are all there as well as several new ones that are bound to be quoted.
Last night the real treat was hearing the score - which was complete - with 18 songs. While numbers may get cut or replaced, I feel more confident talking about the music and lyrics as they were complete. Usually at these readings or workshops, there's just a piano. It was clear last night that Marc and Scott wanted those in the audience (about 40 of us) to get the full effect of the show and thus, brought in an orchestra.
Most of us have heard "50 Checks" as it was posted here on BroadwayWorld. I've also been in possession of a demo cd with 6 or so tracks on it for a few months now, so I was very excited to hear what else the duo had come up with.
Now, even tho this takes place around the same time as hairspray (a few years later to be exact) the music and feel is entirely different. I'm not sure how I would explain it other than to say - they just are more "mature" - and that's because of the subject matter.
The songlist includes:
THE REAL TRUTH LIES (Frank Jr)
FIFTY CHECKS (Frank Sr)
LAST DECEMBER IN MONTRICHARD (Paula)
SOMEONE ELSE'S SKIN (Frank Jr)
JET SET (Ensemble)
I DON'T GET IT (Hanratty)
YOU GOTTA PAY FOR LOVE (Cheryl Ann)
THE MAN INSIDE THE CLUES (Hanratty)
BUTTER OUTTA CREAM (Frank Jr & Sr)
MY FAVORITE TIME OF YEAR (Hanratty)
DON'T BE A STRANGER (Paula & Frank Sr)
DOCTOR'S ORDERS (Nurses and Shayna Steele)
SEVEN WONDERS (Frank Jr)
BREAKING ALL THE RULES (Hanratty)
BURY ME BESIDE THE ONE I LOVE (Brendas Parents)
FLY, FLY AWAY (Brenda)
RUNNING TOGETHER, NEVER APART (Paula, Frank Sr.)
BUTTER OUTTA CREAM reprise (Frank Jr & Hanratty)
It might sound like a whole-lotta-asskissin' but I have to say there wasn't a bad number in the bunch. There wasn't a song I said "oh.. that'll probably go" It's a very strong score with some amazing standouts including "Jet Set" (as catchy as You Can't Stop The Beat and Welcome to the 60s), "You Gotta Pay For Love" (No one can sell a sutlty number like this as good as Sara Gettelfinger!), "Butter Outta Cream", "Fly, Fly Away" (a song which delayed the dialogue after since the audience was clapping feverishly with Celia's performance), and several others. Christine Ebersole sang her songs so beautifully and Nathan Lane not only showed off his comical chops with his delivery of "I Don't Get It" but also handled the ballads wonderfully in the show with ease and heart.
It looks like Jack O'Brien will be directing with Jerry Mitchell doing the Choreography. Amongst the high profile attendees, Architect and Set Designer David Rockwell was also in attendance.
In summary, there so much to look forward to with this upcoming musical. The only frustration is that we'll have to wait until next season....
"A little nonsense now and then is relished by the wisest men" - Willy Wonka
Updated On: 9/26/05 at 10:26 AM