JBroadway said: "I did enjoy Dana H, but as I’ve been saying for months, I do feel that Is This a Room is by far the superior piece of the 2.
I will say regarding Dana H:
I don’t totally understand the choice to have her lip-sync, and I’m not totally convinced it was the right call. But IMO it was really engrossing to watch, and it doesn’t at all diminished the quality of her performance, which is still a wonder to behold. Plus I do think the story is just so compelling. But for me, the clincher was that final act, where the technical production elements come into play more, and things take a turn for the surreal. That, for me, is really what elevated the piece.
But I also saw this off-Broadway for a very low price, and very little pressure on it. I do understand feeling a bit hesitant about it the baggage that comes with the Broadway setting.
Also - Jordan it’s interesting to read your comment about “audiobooks,” because that’s how I feel about narration-heavy shows 90% of the time. In order for me to enjoy a narration-heavy show, it has to do one or both of these 2 things: (1) tell a really compelling, plot-driven story and/or (2) put a lot of emphasis on the character’s process of telling the story. I think Dana H does both. If one were to read the play, they wouldn’t get a sense of her wry, casual mannerisms, which are so fascinating to clock as she tells this harrowing story. "
I think the lip sync is also a metaphor for trauma and the recounting of it, as well as dissociation when recounting trauma (it wasn’t me it was happening to.)
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello