"The Carousel Waltz is such an unbelievable piece of music. I've always wondered why it didn't transcend into the ranks of classical music, or play as a piece on classical music stations."
The last "classical" radio station in New York, WQXR (there used to be several), occasionally plays The Carousel Waltz, usually from the album of R&H overtures by John Mauceri and Hollywood Bowl Orchestra.
WQXR very occasionally plays other Broadway music, usually by R&H or Sondheim. Appropriate.
The Chicago Overture is the music from the cut song Loopin' the Loop, originally performed by Gwen and Chita in the final scene (I think, open to correction, but the overture is definitely Loopin' the Loop.)
Yes, the CHICAGO overture uses the music for the dropped song Loopin' the Loop. Also, the entr'acte for the current revival was actually the exit music for the original production. There was no entr'acte in the original. The original opened the second act with Chita saying "Welcome Back, Suckers."
The overture on the OBC recording of ON A CLEAR DAY combines the original overture (which ends with choral singing of the title tune) with the entr'acte (Melinda etc.). The first act ends with the song Melinda.
My favorite overture is the one for SUBWAYS ARE FOR SLEEPING. Updated On: 12/8/16 at 02:29 AM
I know there are more, but my mind is drawing a blank.
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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Finian's Rainbow is especially interesting because it starts with the first phrases of the VERSE to How Are Things in Glocca Morra, whereas you almost never hear the verse of a song in the overture to anything.
Finian's Rainbow's overture also ends oddly, in a kind of fade-out as the curtain goes up, without a big finish. At least, it did so in 1947, in the theatre. The recording used a concert ending, and even Lehman Engel's LP of overtures played a different conclusion.
Oh my gosh, I forgot NINE as well! I listen to that overture constantly. Having the women vocalize it was such a brilliant idea on Tommy Tune's part (I believe it was his suggestion that they do it this way).
While we're discussing Broadway overtures, I would like to pay tribute to Robert Russell Bennett who arranged many of the overtures that have been mentioned! At the 2008 LCT production of South Pacific, when the orchestra rose to the level of stage while playing Bennett's original arrangement of the overture, it was thrilling.
I love the Follies prologue- the subsequent overture , not so much. The overture of The Rothschilds imparts a real eighteenth century feel for the show,as well as being quite stirring. Listen to it!