Oh, I loved that. I saw it in L.A. and when her mansion flew up and the apartment came from below was astounding. How did the car chase go again? I remember not liking it, but if only I remembered it.
"I saw Pavarotti play Rodolfo on stage and with his girth I thought he was about to eat the whole table at the Cafe Momus." - Dollypop
umm EVERYTHING about young frankenstein but particularly they hay ride scene. Could be critisized as being cheesey but I thought it was VERY well done... and almost believable
<-- Gwen Stewart, SOLoist at the last show of RENT Cages or wings?
Which do you prefer?
Ask the birds.
Fear or love, baby?
Don't say the answer
Actions speak louder than words.
(Tick, Tick... BOOM!)
I never got a chance to see DRACULA, so can someone please further explain the "aging so quickly" thing that everyone is talking about and its context within the show?
"Somethin's comin', I don't know what it is but it is gonna be great!"
This isnt my favorite effect, but I thought it was pretty neat. When I saw the Little Mermaid show at Disney MGM Studios, at the end I believe Ariel is lifted up while wearing her fin than all of the sudden a cloud of smoke came up and she was wearing a dress. The cloud isnt so thick that you can't see whats going on.. thats what makes the effect so cool, it just happends so fast right in front of your eyes.
I love Javert's Suicide probably most...it really is what everyone already said..so basic but so intricate with all the blue and the revolve goes around really fast.
The Phantom of the Opera chair effect is defanetly my favourite though.
I'm not sure if it would classify as an effect or direction, but in Jekyll & Hyde during "Someone Like You" when at the beginning the Lucy moves her hands and if it comes across right (Coleen Sexton in the DVD did) the furnature moves as well (Looks like magic! haha), and also at the end when all the people walk by to show she's alone (actually, as if it's not enough like other things, it reminds me of Eponine at the Barricade as already mentioned!). Somewhat cheezy, actually really cheesy if the timing is off (such as the Hoff I think in it during This is The Moment).
I never got a chance to see DRACULA, so can someone please further explain the "aging so quickly" thing that everyone is talking about and its context within the show?
Going by memory, so others excuse any inaccuracies: When Dracula appears, he's quite aged (grayed wig, wrinkles, etc). He then attacks a tasty young thing behind one of the aforementioned glass, blood-filling coffins. When he emerges from her neck, he’s young and refreshed. What was amazing was the rapidity with which the transformation took place: old::bite::young, just like that. And I’m not completely sure that he was even completely obscured by the coffin for the change--just that his face was. If memory serves, the top of his wig was visible throughout the bite, and once he finished and stood, the old wig just melted away (i.e. was pulled away when he stood up?).
However the thing that gave me greatest shock during the show was Kelli O’Hara’s disrobing. One second she was dressed, one second she was not. I’m sure she just flicked her gown off her shoulder allowing it to fall to the floor, but the night I saw the show, her “quick-change” (shall we say) was performed with such speed that it was even more awe-inspiring than Dracula’s.
When i saw Dracula at La Jolla he walked to the lip of the stage and just disappeared. He might have jumped off into the pit, but it was so fast we were all speechless. Yes, Dracula had the BEST special effects i had EVER seen. Too bad the music was dreadful.
I love crazy costume changes from Elle's in "Omigod..." to the whole amazing "Show-off" number in Drowsy.
And I have to say the hat flying at the beginning of Piazza was beautiful. It was easy to see the string but the entire image was just incredibly beautiful.
I really enjoyed the effect in Curtains where it looks like the stage shifts down and the drop goes into the floor and then Cioffi, Nikki and Chris are in the flyspace. It happens so fast it is sooo cool to watch.
Young Frankenstein's effects blew me away, especially the opening flash of lightning during the overture.
And also, Mary Poppins also wowed me with the house, the toys, the bag the kites, her flying. It was wonderful!
I was going to mention An Inspector Calls as well, but I never saw it on Broadway, only in London before that. At the end the cobblestone street also cracked and tilted and there were peoples' faces or heads which actually appeared up through the cracks. I was told that didn't happen in New York.
"How did the car chase go again? I remember not liking it, but if only I remembered it. "
Sorry that no one responded and it's 8 months later! I didn't like how it was done, but from what I remember, the sunset manila colored wall things dropped, and projected was either fotage from the film or something else of the two money collectors in their car (windsheild only) and Joe (windshield only), and then as they turned the wheels would appear below those and then the windshields would get closer together and then farther apart, etc. And then when the tire goes out, it goes in the middle (the tire projection that is) and then it ends. Meanwhile, the entire time there was the projection of the movie chase with only the soundeffects of screeching wheels and show the car going into the garage where then I think one or two of the ways partially pull up a little to act as a garage, with a silhoutte of what the house should have looked like.
To the question about the 'Wicked Witch of the East' number in Wicked, I think this is how its done:
The wardrobe had two halves. One half is facing the audience, which is when Elphaba is lit up and says her bit to Nessa...then the light goes off and opens the door.
The other half of the wardrobe at the back is open, where the already silvered up tin man double is sitting/standing. So when Elphaba pushes the wheelchair around the back of the wardrobe, Boq and the Tin Man swap, Elphaba then continues to push the wheelchair to the side.
The Legally Blonde Pole thing...obviously its two people, but surely they don't just have the actress holding on for dear life while another actor slides down the SAME pole to give her a cue to let go?
Would they not have a platform for her to sit on while waiting, so she then just has to go at the right time? And have the actor have some sort of device to stop him from sliding onto her before she goes down? Hm....
Anyways, I will always love the Defying Gravity effect. The goose bumps you get the first time you see it is engraved in my memory.
Love the drowning of Prince Eric in Little Mermaid too.
Hm, minds drawing a blank for others right now.
OH! I know it doesn't technically count, but the effects on that opening for the Beijing Olympics were SPECTACULAR! The scroll...the Olympic rings lifting off the ground and being suspended in mid-air, the drums/lights, the running around the brim of the stadium roof to set fire to the torch.
I was just in London and saw several amazing staging effects in Sound of Music (the mountain moves), Zorro (flying and swordplay were awesome) BUT the one that really caught the eyes was in NEVER FORGET-THE TAKE THAT MUSICAL. At the end of the first act it is raining onstage and then at the very end the rain falls as words. The words NEVER FORGET spelled out in rain drops keep falling from the flies. Not sure how they managed it but it was really cool
The projections in the SITPWG were beautiful. I loved when it would show little things in the background moving, like the sailboat and the people in the distance. I also liked when George was talking to the characters in the painting during "Color and Light". "Putting it Together" was clever as well.
"The train at the end of The Woman in White scared the crap out of me. It looked like it was coming right at the audience! "
LOL I somehow forgot to mention that all the projections I thought were awesome in WiW! The train part really was spectacular, and I loved when they would walk away from the buildings, etc. True, a little sick-feeling, but truly cool looking!
Chitty flying. Of course, Elphaba flying =] In Wicked, the flying monkeys on stage and over the audience. I thought Elphie's melting scene was pretty cool too. Legally Blonde pole. The legally blonde quick changes were really good. Mary Poppins flying. Bert's tap dancing upside down. Some of the scenes with the screen in MP where Bert was painting were cool, and the colors/effects of Jolly Holiday were awesome. Mary Poppins going up the railing, pulling stuff out of her bag in Practically Perfect, flying the kite, etc. Overall, I found many amazing effects in Poppins. Young Frankenstein also had many excellent features, including the effects created by the screen ["movie" effect, screen before Join the Family Business, etc.], Roll In the Hay, and all of the effects in the laboratory were thrilling.