I really like how in YOUNG FRANKENSTEIN as soon as the conductor raises his hand to start the show there is a HUGE sound/boom of thunder and then an immediate flash of a picture. If you don't know it's coming, you really jump.
"Everytime you step on that stage it is somebody's first Broadway show and somebody's last Broadway show. Make it count."
I always wanted to know how the holy hand grenade sticks onto the bush when the king throws it.
Herbie: "Honey, Don't you know there's a depression?"
Rose: "Of Course I know, I Watch Fox News"
-(modified)Gypsy
Broadway Schedule
December 5th- Hamilton, On Your Feet
December 19th- Noises Off, Edith Piaf Concert at Town Hall
I loved all the flashes and sparks in Young Frankenstein, even if they did make me a little blind.
I don't know if it's a stage effect, really, but I like the Wizard head in Wicked.
~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~ I remember days Or at least I try But as years go by They're sort of haze And the bluest ink Isn't really sky And at times I think I would gladly die For a day of sky ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~ And Starbucks will use the words 'large' and 'small', not pretentious crap like grande and tall. ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~ "You could get away with anything if you call it art and tell people who don't like it that it's cutting edge culture." --vmlinnie ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~
I liked the ship sailing across the stage and hitting the iceberg in the act one finale of Titanic. Some people thought it looked cheep, but I guess I was one of the lucky ones sitting at just the right angle for it to look pretty spectacular.
The entire original production of EFX in Las Vegas was one surprise after another. Also the chandalier in the Las Vegas Phantom and pretty much anytime something or someone flies. Even if you can see the wires it's still always so magical.
I dont care how much I get badgered and bashed for this (cuz if you do say crap about me for saying this its just showing what kind of jerk you are) But I find the flying effect in WICKED to be amazing. I cry when i see it, its a defining moment where Elphaba is taking her own path in life and doesnt give a crap of whoes in her way, and also she is obtaining this power that no one has. I find it to be spectacular, and also the melting effect, I know its only a shadow you see but its very traumatic to me.
My favorite even though it is VERY simple. Is Javert's scucide.
I just love it how even though it is simple. Just the timeing of it. And how it gets your mind to think that he is actually falling.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
"I never had theatre producers run after me. Some people want to make more Broadway shows out of movies. But Elliot and I aren't going to do Batman: The Musical." - Julie Taymor 1999
http://www.beintheheights.com/katnicole1 (Please click and help me win!)
I chose, and my world was shaken- So what? The choice may have been mistaken,
The choosing was not...
"Every day has the potential to be the greatest day of your life." - Lin-Manuel Miranda
"And when Idina Menzel is singing, I'm always slightly worried that her teeth are going to jump out of her mouth and chase me." - Schmerg_the_Impaler
I think the entrance of the Barricades after "On My Own" in Les Miserables is amazing. Also, the sequence after the final battle when the barricade turns around is the most moving scene in any Broadway show I have ever seen.
Prince Eric's drowning scene in THE LITTLE MERMAID is pretty spectacular.
Even though the rest of the show was just okay...the opening shipwreck of TARZAN was pretty amazing to watch.
Also...in LEGALLY BLONDE in "Oh My God" when the Delta Nu sister says, "Wait for me!" and slides down the pole...how does she go from face mask and robe to her street clothes while sliding down that pole? That was pretty cool.
"Roll In The Hay" in YOUNG FRANKENSTEIN was pretty cool looking. Most of that show looked amazing.
Like...when Inga and Dr. Frankenstein find the secret bookcase door they go through it while on the ground level and within seconds they are many feet above the stage walking down the stairs leading down to the labratory. How did they get up there so quickly?
And who doesn't love the helicopter in MISS SAIGON?
"Somethin's comin', I don't know what it is but it is gonna be great!"
Obviously doubles are used in many stage effects...but I really want to know how Sutton and Roger get up there so quickly to come down those labratory stairs!
"Somethin's comin', I don't know what it is but it is gonna be great!"