I don't have a ton to offer that hasn't already been said about last night, but it was very cool being at a closing night. The standing was excessive at times (and being in the mezz made it worse for viewing during those moments) but at the same time I'm willing to grant a little leeway given it was the final performance of what has been a very well received production. It was my second time seeing the show, the first having been last October on a whim - had last night been my first time I would've been more annoyed by all the histrionics. Along that line, I'm fairly certain the ladies next to me had no clue it was closing night. At one point I heard one ask the other if it was someone's last show and that's why everyone was going crazy - I just left it be. All that said, the show didn't run nearly as long as I thought it might.
I didn't see Taylor Trensch as Barnaby (my Playbill isn't handy, but I'm pretty sure a new swing was on for the first time as Bette Midler pulled him forward during the curtain call) but I really enjoyed Charlie Stemp. His dancing in particular was fantastic!
All in all it was great to revisit the show again as it really was a spectacle; not in a Spider-Man: Turn Off the Dark kind of way, but an old school, feel-good, big production.
For those wondering about the stage door, as mentioned Bette didn't come out. However, in terms of principles, David Hyde Pierce, Gavin Creel, Charlie Stemp, and Melanie Moore came out and worked their way down the entire barricade and I'm fairly certain anyone who wanted something signed got it. Will Burton came out as well and did the densest part of the crowd between the stage door and 44th. Taeler Cyrus and Carmen Ruby Floyd also signed for everyone, and I saw many others from the ensemble stop when asked, again between the door and 44th.