It wouldn’t be too surprising if some director someday tried to throw in a few reprises and a trunk song or two but I imagine it would be very difficult to find lyrics to match up with the book scenes.
I have probably watch/listen to the exit music 100 times since it’s available. The orchestra sounds so good and so rare to see the first video of a cast album features the band. Wish I could play bassoon like that.
CATSNYrevival said: "It wouldn’t be too surprising if some director someday tried to throw in a few reprises and a trunk song or two but I imagine it would be very difficult to find lyrics to match up with the book scenes."
In the Vulture article, Ives talked talked about his responsibility to produce it as someday a 'Frankenstein' version will appear. Since seeing it, I've played around with the 'sensible' of including Silly People and Ah but underneath into the second half. In the 'silly' version, we have Sunday in the park with George, How i saved Roosevelt and The House of Marcus Lycus.
Now that we've gotten Sondheim's score as he wrote it, I wouldn't mind if a lyricist wrote new lyrics for the second act to music based on the thematic material already established in the show. Sondheim's second acts are frequently based on thematic material in the first acts, so I think it could work if the lyricist is skilled.
When I saw the show, it didn't feel like the score was missing something. However, as others have noted, there are places where it seems apparent Sondheim would have added songs if he'd lived to see this production happen. I've sort of imagined a reprise of "Waiter's Song" when Windsor takes over the food and supplies after the group gets trapped in the room.
AnythingYouDo said: "Now that we've gotten Sondheim's score as he wrote it, I wouldn't mind if a lyricist wrote new lyrics for the second act to music based on the thematic material already established in the show."
Why are people still fantasizing about another composer adding new material? It’s been produced, the show is final. Sondheim knew this would be the final version of the musical. For there to be additions not done by Sondheim would be the epitome of disrespect.
I’m totally fine with the final version where the singing stops. The interludes and underscoring are stunning. I would’ve liked a reprise of the “The Road” theme in the finale, but I’ve accepted that won’t happen. Although, it is fascinating during one of the early previews, someone claimed there was indeed a sung reprise In the finale. Who knows if that really happened?
Menken couldn't find a comparable replacement lyricist for Howard Ashman after he died, what hope do you think there is to find somebody who is comparable to Sondheim?
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
ljay889 said: "The wait is over at midnight tonight! Who’s excited?"
I can't remember being more excited for a recording!
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
The last time ever we will hear a new Sondheim score performed in a studio. Wowww.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
There is quite a lot of dialogue. It’s like they wanted to emphasise the book writer/‘first’ titled author contribution.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I’m grateful for the dialogue. Some of the dialogue tracks are breathtaking. In response to the sentiment by some that the second act feels incomplete, the only moment in the second act that really felt to me like maybe there could have been a song in that scene was the exchange between the Bishop and Marianne. They have that philosophical conversation about “being,” about heaven and hell, and what happens when we die. Ultimately, he says to her all we can do is “be here until we’re not.” For me that scene is the unexpected heart of the piece, and usually a moment like that in a musical would bring about a song, but in this musical the song never comes and that’s okay too. Maybe if Sondheim had seen these actors perform that scene in previews in front of an audience he might have been inspired to write a song to accompany the scene, but maybe he wouldn’t have. Maybe it’s perfect the way it is. To be continued.
judging by a track length of 5 minutes and 24 seconds, I'm BEYOND GRATEFUL that most everyone's favorite scene (titled Interlude 3: Snow) appears to be preserved. So perfect since it's the heart and soul of the piece <3 <3 <3
The entire 5 1/2 minute scene towards the end with Rachel Bay Jones and David Hyde Pierce is recorded here. I can’t even put into words how happy this makes me.