His latest, of Christine and Patti in War Paint is a case in point. Patti in particular looks more like something from the movie A Bug's Life, than the imperious, glamorous Rubinstein. He fails to capture a special sense of bigger than life theatrical magic the way Hirschfeld did, and Fallin's illustrations usually feel awkward and non-theatrical to me, and often bear little or no resemblance to the subject at hand. I guess there will never be another Hirschfeld...
Every time I see them I think, "Oh. I miss Al Hirschfeld." They're Hirschfeld-eque without capturing the special spark Hirschfeld had... a willingness to take risks. I wish we had someone wholly original... or at least someone who was more on the money with their attempt at copying Hirschfeld.
I've always found Fallin's caricatures to be remarkably inert and lifeless- and I really don't love his style of putting the drawings over a colored background. It makes them look incomplete.
Squiggs' caricatures are far more bold and full of movement and character- though I think his splash page illustrations for shows can often be confusing to look at.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Thanks for the reminder, guys, about Squiggs. He's way closer to the joy and magic in the Hirschfeld illustrations....I wish he had more high profile jobs!
I agree about Sardi's artist (Alex Gard). You would think of ALL places, these would be the best, but instead many remind me of that misbegotten new statue of tennis great Ronaldo:
Squiggs did the cover of one of my books, the one about the album producing days - he, I must say, captured me PERFECTLY. I was astonished when I saw it.
I can't even call the ''portraits'' at Sardi's ''caricatures.'' They're hand-drawn versions of photographs, based on the performers' headshots. Apparently, the artists have been told to go this safe route, because no one wants the performers to be possibly offended if any of their features are exaggerated. ... Really makes you appreciate Hirschfeld. With only a handful of lines, he was able to evoke and capture the essence of an actor better than most any photograph.
Sure, he's not Al Hirschfeld but who is? I agree that Squiggs has more energy in his artwork but I disagree that he's more accurate. I've already said my piece about the trading cards. It was a while ago but I think the Fallin caricatures are still up at New World Stages. I'd say they're pretty accurate for the most part and I don't mind this War Paint artwork at all.
HogansHero said: "considering that one of his subjects is "responsible" for his current job, perhaps there is more to this particular drawing than meets the eye...
Wayman_Wong said: "I can't even call the ''portraits'' at Sardi's ''caricatures.'' They're hand-drawn versions of photographs, based on the performers' headshots. Apparently, the artists have been told to go this safe route, because no one wants the performers to be possibly offended if any of their features are exaggerated. ... Really makes you appreciate Hirschfeld. With only a handful of lines, he was able to evoke and capture the essence of an actor better than most any photograph.
Oh, so that explains why Norm Lewis' caricature makes him look like some white boy from Chelsea!!
The Sardi's caricatures are truly, shockingly bad--they actually play DOWN the unique features in everyone's face; anathema to the very concept of caricature. Fallin is just uninteresting. Agree Squigs is the best we have. Hirshfeld truly was irreplaceable.