Just a video I found on Youtube of a young Idina Menzel (or Mentzel, not sure if she changed her name yet) singing Sleepy Man from The Robber Bridegroom. Much more classical sounding and less rocker/belty. Am I the only one who actually prefers this over her current sound? Sleepy Man
"I have this mental image of Patti barreling down the street and pushing tourists out of her way." -colleen_lee
My God, what has happened to her voice since this clip??? There were a few pitch issues, but her voice sounded full and well-supported. She sounds so different now when you view other clips of her singing...
"My God, what has happened to her voice since this clip???"
RENT, Wicked, The Wild Party, Aida...take your pick of shows Idina has screamed her way through.
For the record, I absolutely love her. But you can tell a difference in her voice between her two albums. Her voice on "Still I Can't Be Still" is much stronger than it is by the time she did "Here". But it's hard to compare the two since "Here" is acoustic and doesn't call for any kind of the big/belty/soulful tones in her voice. I guess a better comparison would be the two RENT recordings she's done.
(Edited to fix the italics tags.)
"Who says you can't bend over backwards and eat bugs if you want to? I guess the bugs would probably say you can't do that that, but assuming that they are willing and consenting bugs, then there's no problem. Let's wig out eating bugs."
-RuPaul
I love how just because she has more vibrato, suddenly she is "classically trained."
Idina Menzel is not classically trained. Period.
Just because she is not screaming in this clip does not mean she is showing her "opera side." She has no opera side. This doesn't mean I don't like, I do. But please.
"The only way we live beyond our lives is to connect and carve ourselves into the souls of those we love." -Little Fish
I must say Idina is an amazing Performer, she has a unique voice, it may be very different but its still amazing.
I think shows like Wicked really took their toll on her voice but if you compare her Broadway run to London I think her voice improved greatly. I do think there are much better singers than her but her performances in everything she does is commited and amazing!
"Idina Menzel is not classically trained. Period."
Idina Menzel had years of classical training from her child-hood through almost her entire time in college. Period.
"My God, what has happened to her voice since this clip???"
RENT, Wicked, The Wild Party, Aida...take your pick of shows Idina has screamed her way through. Hmm. Not quite. She's since switched her vocal techniques--that gives her the harsher, brighter, more rock sound withOUT damaging her voice. Well, unless, of course, she slips up in her technique, which is less often than most people on this board think. What she's been doing since she's turned professional doesn't sound like proper classical technique because it's NOT, it's another technique--and a completely valid one--altogether, whether or not classical snobs think it's "right."
I personally prefer the way she sounds now. To me, she has the most unique and expressive voice I've heard, and I don't think classical training allows for that quite on the same level.
Actually, I think it's quite obvious from this clip that the person singing has classical training, especially when you hear her sing differently now. The rounder vowels, darker sound, the fact that there's more vibrato, the sound of some of the notes more in her head voice. She's obviously using classical technique but mixing with chest voice because she's singing something more contemporary. But if it's hard for you to hear...ok.
She's definitely showing classical training in this clip...maybe not OPERATIC training, but there's a difference between the two.
And I prefer her voice now....it's fabulous. True, she's had some bad performances, but so has everyone. I don't know why people want to harp on Idina's bad performances as if the rest of the Broadway actresses are pitch perfect all the time....
Pretty nice, but does not hold a candle to Emily Skinner's rendition. I like Idina though and its nice to hear a more legit/traditional broadway song from her.
"Why do you care what people might say? Why try to fit into their design?" (Side Show)
I love her now, but I love her in this clip as well. I wonder how different her performance would have been in Wicked if she had sung the score like this...hmmm...I'm sure it'd still be great
Idina just kinda sounds like she's trying to sound a certain way....like she's adding affect to her voice...I like it better today. She's a passionate singer if nothing else :)
She sounds slightly uncomfortable in places - but in general it's a pretty solid rendition and she looks beautiful (in a blurry kinda way!).
I think she sounds more natural in the way she sings now, but her Sleepy Man is still pretty good.
I've always really been more impressed by her presence and commitment to the moment than by her vocal ability anyway (even though she is a very good singer).
the whole thing is bad. but mainly because the tempo is too fast. Its a lullabye. Slow it down. Its a song to soothe the man to sleep. Its best on the original cast recording.
I agree with GClef's first post. I am a gigantic Idina fan, but think it is laughable that people are basing how classically trained she is based on this clip. I am not saying that she wasn't classically trained...but come on...in this clip her voice sounds just like every other 20 year old wannabe singer/broadway actress in New York. Nice, somewhat powerful, nothing special.
Thank God she found the uniqueness in her voice that has made her the broadway performer/singer that we know (and a good percentage of us Love). I much prefer her now--harsher sound or not.
She has the right voice for the song, but she's singing it way too fast. It should be a sultry, sexy love song. She barrels through it with little to no poise.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body