Into the Woods Official Movie Thread — Page 127
Posted: 11/8/14 at 10:09pm
Ew. This is a joke. Right? Right?????
Posted: 11/8/14 at 10:17pm
Listening to @taylorswift13@taylorswift13>https://twitter.com/taylorswift13">@taylorswift13 Out Of The Woods getting pumped to sing some Into The Woods cuz music is #cool.
&mdash>#cool.&mdash>https://twitter.com/hashtag/cool?src=hash">#cool.— josh groban (@joshgroban) November>November>https://twitter.com/joshgroban/status/529398253620445184">November 3, 2014 Updated On: 11/8/14 at 10:17 PM
Posted: 11/8/14 at 10:22pm
Posted: 11/8/14 at 11:05pm
And yes, THAT scene looks incredibly amazing!
Updated On: 11/8/14 at 11:05 PM
Posted: 11/8/14 at 11:06pm
Posted: 11/8/14 at 11:16pm
Actually, it is...if you look in the trailer, there is a clip where the Baker, LRR, Cinderella, and Jack are fleeing during that scene and hiding. During this scene you can see an inclined hill in front of them. That inclined hill is where Meryl is singing in Last Midnight.
Also, it is clear in the TC spot she is singing in that moment...she does NOT sing during her transformation...
Also, Magical Musical, if you look at the trailer, when Rapunzel is riding away, she still has her cape on. The Witch is holding something else.
UPDATE: I'd also like to point out that many of the nightime scenes have a blueish background...
Updated On: 11/8/14 at 11:16 PM
Posted: 11/9/14 at 2:13am
I just think it's still her transformation because the clips where she's ugly and the camera turns and the lightning flashes look like the clips of her beautiful with the camera turns and the lightning flashes.
Also, I think she may be opening her mouth in awe instead of singing.
But you are right about Rapunzel's cape.
Updated On: 11/10/14 at 02:13 AM
Posted: 11/9/14 at 1:53pm
http://disneystudiosawards.com/awards/into-the-woods
Posted: 11/10/14 at 1:11pm
To celebrate Disney’s big-screen adaptation of the hit Broadway musical Into the Woods, Disney twenty-three, the publication of D23: The Official Disney Fan Club, got all the thrilling details from the stars and creative team behind the new breathtaking, upcoming film. In exclusive interviews with Disney twenty-three, stars Meryl Streep, Emily Blunt, Anna Kendrick and Chris Pine, along with director Rob Marshall and screenplay author James Lapine, detail the excitement and challenges of bringing the Tony® Award-winning musical to the big screen, including explaining how they played a game of hide-and-seek with some (fake) witchy fingernails and how the team gracefully—and sometimes hilariously—handled Blunt’s pregnancy during filming.
Updated On: 11/10/14 at 01:11 PM
Posted: 11/10/14 at 1:19pm
When it comes to the track listing for the deluxe edition, I am really happy about it. It's a must buy when 12/16 comes around.
Posted: 11/10/14 at 1:26pm
Posted: 11/10/14 at 5:29pm
Meryl Streep SLAYS "Stay With Me" and "Last Midnight" you guys.
"Hello Little Girl" is lowered slightly to fit Depp's voice (he sounds so much like his Sweeney Todd) and he sounds wonderful. The orchestrations sound like a mixture of orchestral and 1940's big band which fits wonderfully with each other.
Corden and Blunt vocals are really good and charming and fits their characters.
"Agony" sounds as wonderful as ever with Pine's voice being a stand out.
Kendrick sounds lovely in a higher voice (her "On The Steps of the Palace" sounds lovely) and Crawford and Huttlestone are quite good.
If any of you have Itunes just look for the flag icon on the bottom and find "United Kingdom" and look for "Into The Woods", you will not be disappointed.
Posted: 11/10/14 at 6:16pm
Posted: 11/10/14 at 6:17pm
Posted: 11/10/14 at 6:18pm
^I agree jp, it's going to be amazing on screen. We have one month left....Just one more.
Posted: 11/10/14 at 6:39pm
Posted: 11/10/14 at 6:59pm
Posted: 11/10/14 at 7:11pm
Posted: 11/10/14 at 7:20pm
Posted: 11/10/14 at 7:32pm
Whoever arranged the score for the cinematic sound did a OUTSTANDING job! There is not one track on it that sounded less than excellent. Wow, wow, wow!
Posted: 11/10/14 at 8:11pm
Does anyone know what David Krane's role (musical score adaptation) involves? Does he adapt Tunick's original orchestrations? Is he creating underscoring that didn't exist in the original stage production?
BTW, I think it's stupid that we're having two parallel discussions on this just because some asshole's ego couldn't take contributing to an existing thread.
Posted: 11/10/14 at 8:27pm
Posted: 11/10/14 at 8:32pm
Posted: 11/10/14 at 8:33pm
Please Start a New Thread!
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