Did Leontyne Price play her famous Madama Butterfly in "yellow face"? I've only seen pictures, but I don't believe she did.
ETA: okay, I googled her in the role and in many of the photos she does indeed seem to have lightened her face and neck (while leaving much of the rest of her very dark skin visible).
As this thread appears to pertain to
current attitudes towards race in the theatre (and opera et al), I don't really see this as a valid example. Perhaps Price was given yellow face make-up forty years ago to play Cio-Cio-San, and the original Maria in
West Side Story was an Italian white girl from Chicago...the same thing would most likely not happen today. Attitudes change over time. The point Phyllis is making is that many opera houses (including the ROH) are eschewing blackface makeup when white singers perform roles like Otello or Aida. The Met should consider doing the same, if for no other reason than the bronzer and "ethnic" wig they put on their white Aidas looks more Teresa Giudice than Nubian princess.
I've seen several black sopranos portray Amelia in
Un Ballo in Maschera, and I didn't need them in whiteface to convince me that they were an 18th-century Queen of Sweden. Opera is all about suspension of disbelief, and that should extend to this issue.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body