"am considering sitting in the mezzanine if/when I get to NYC this summer!"
'IF'? You are going to come here and post the way you've been posting, criticizing people for their opinions and you may not even see it in New York?
Nice...
"TheatreDiva90016 - another good reason to frequent these boards less."<<>>
“I hesitate to give this line of discussion the validation it so desperately craves by perpetuating it, but the light from logic is getting further and further away with your every successive post.” <<>>
-whatever2
'IF'? You are going to come here and post the way you've been posting, criticizing people for their opinions and you may not even see it in New York?
I have not criticized anyone for their opinion on here. I don't know what I ever did to you to have you personally attack every comment I have made on the boards on pretty much any thread. I have agreed with you on lots of other stuff. We don't agree on this show. I really don't know what I ever did to you.
"There’s nothing quite like the power and the passion of Broadway music. "
"I think they suffer from cutting the "Lucy Meets Jekyll" recit. It really helped establish both characters and the relationship.~ Elphaba
This version is desperately lacking the character development in so many areas. IE: A tender Jekyll sweetly singing "Lost In The Darkness" to his comatose father on the gurney - The conflict and rivalry between Stride, Jekyll & Emma- The emotion of "Moment" by Constantine is reduced to a concert solo money song- "The Way Back" has lost it's impact - "Once Upon A Dream" ,once a sad , desperate attempt to regain true love...gone. "No One Knows Who I Am" ...sorely missed ...and many more missed opportunities to allow the audience to grasp a sense of "why" these characters do what they do and are who they are. This version is about flash, projections and moving on to the next impact scene and "delivering" the song.
IMO, J&H, The Musical(and I've seen them all), has always been a campy, semi creeping, semi tounge-in-cheek dark humored attempt to tell the story of a brilliant novel, in which it has never been faithful to from the start.
However, this version, while it will appeal to a new generation of J/H fans is greatly removed from anything like its prior staged productions. Frank's music seems "Lost in the Madness" of this latest version. While I wish more had seen the original version to have a qualified comparision, I am still happy that it is getting a second go round on Broadway. We sure did enjoy the first round! Please, see it for yourself...Enjoy the experience.
"While I wish more had seen the original version to have a qualified comparision, I am still happy that it is getting a second go round on Broadway. We sure did enjoy the first round! Please, see it for yourself...Enjoy the experience."
I wish that I saw the original yet I don't really feel the need to compare. I wish the two could just stand on their own and be appreciated for each one individually. I can't say that I've ever gone to a show and not found something that I enjoyed about it, whether it was a particular performer, the musical score or the story. I can't remember ever going to a show and coming out saying that I didn't like the show and that I was sorry that I went. Maybe I'm in the minority, but I absolutely love the theater, music and particularly musicals. I appreciate that you encourage all to go see it and enjoy it.
With that being said, I was at Jekyll & Hyde last night. The place was packed. If there were any empty seats in the orchestra, I didn't see them. I admit that I could not see the whole mezz but what I could see was pretty packed too.
I loved the performance and the music. I cried, I giggled, I held my breath. The performers made me care about them and their plight and I think the singing was off the charts good. I absolutely love, love, love, the musical score. I heard a lot of people around me commenting on how great the voices are and how good the performers are.
Although I did not see the original on BW I talked to a person that did see it multiple times. She absolutely loved the show last night and thought all of the performers were perfect for the roles. She particularly loved Deborah Cox.
I just feel, love it or hate it, everyone is entitled to their opinion but I hate to hear anyone discouraging people from seeing a show for themselves to decide. It just makes me sad. I support live theater and there is something for everyone. I think Broadway is the best of the best and I'm never disappointed. I want to see Broadway grow and prosper and continue to be the amazing experience that it has always been for me.
My opinion is that this show is well worth going to see. It's not an uplifting, feel good kind of show and if that is what people are looking for they will be disappointed. I do think the performances are excellent, the music is breath taking and the singers have amazing voices, which is well worth spending my money on.
I also saw the show early on in the tour, closing night in San Diego to be exact. I went in with an open mind. I'd only ever heard one song from the show, and I didn't know the story at all. I was impressed the most by Deborah. Not because she was the best person in the show, but I think because I was under the impression I was not going to like her for some reason. I thought her voice was very powerful, and her acting was fine. I enjoyed Constantine and thought he gave 100% of his effort playing that part, and I have no idea how he plays that 8 times a week. With all that said, I left the theatre satisfied with the show, but it wasn't my favorite thing I'd ever seen. One critique i had was that I couldn't understand a lot of what was being sung, by the Constantine a lot of the time, but that didn't bother me too much. As many have said, my biggest problem with the show was the confrontation. I actually laughed along with the person I was with. It was just way too over the top with those projections of his face, and the eyes.
"I just feel, love it or hate it, everyone is entitled to their opinion but I hate to hear anyone discouraging people from seeing a show for themselves to decide."
Tickets are hella expensive these days and if someone has to pick between the many offerings and decide what to say, reading opinions and taking them into consideration is important. There are people who I know have similar taste to me, so when they have problems with a show, I take it more seriously and would definitely consider pushing it down my priority list. That being said, if a few posts on a message board are enough to deter someone from seeing a show, I can't imagine they wanted to see it particularly much anyway.
"... if a few posts on a message board are enough to deter someone from seeing a show, I can't imagine they wanted to see it particularly much anyway."
I agree. Well said!
I too wasn't sure about Deborah Cox but she has a power house voice and I thought she acted the part very well. I didn't hear any glitches in her voice as was stated earlier in this thread. I really like her voice.
I also agree that Constantine gave 100% to the role. It's interesting that it was hard to understand the words when he was singing early on. I wonder if it was the sound system or acoustics because I thought last night that he was really good at enunciating the words and how important it was due to most of the contents of the story being sung. I do know the music and the words to the songs so I didn't have any problem following the story line but I did notice during the show how good he was at enunciating.
As far as the songs being more of a concert and the performers just standing there and grand standing, I thought there was a lot of movement and action during the songs. That being said, Constantine & Deborah both end their big songs with big notes, center stage, arms up. Great applause each time and I didn't think it hurt or detracted from the story or the flow of the show. If it does, I guess the blame would have to go on the director for that.
I feel so lucky to have been the pre-Broadway tour in Denver. Saw the Broadway tour and was shocked at what had happened with the show. So I think I am good and will stay away from this revival. Just An aside....Denver was the highest grossing stop on the pre-Broadway tour so Linda came back before the Bway opening and did a free concert. She was fabulous and we got to see her do, for the first time live I think, Don Quixote (so). Thrilling night.
Most revivals have entirely differnet creative teams and typically have not been mounted on any major professional stages for a long period of time. J&H has been running in this county and around the world before it closed on Broadway in 2001. I believe the Bremen, Germany production was the first European production that was playing during the Broadway run. I had friends who saw it and they said it was very bold, sexy and bloody.
Frank has always been a vital part of this new version and it was in the wind at least 4 years ago that he was bringing it back to Broadway for a fresh new audience. This may not be public knowledge but those are the facts. So technically this is not a revival. It's just another version. Hey, we had SP the original, SP2, SP3. So maybe we should consider this J&H 2 for a new generation.
It will be interesting to see how it is received by the critics in a few weeks.
Hi, I found this site looking to see what people thought of the show last night. My wife and I attended and sat towards the front. The theater was indeed packed so the information saying there were many seats that were empty is incorrect (unless they were in the balcony level which I couldn't see from the orchestra section). The crowd was very into it also for what that's worth. It does look like there are people on both sides that are biased so I'm going to try to give an unbiased opinion.
We had close seats which I really enjoyed. I had not seen this show previously. My wife had seen the previous version and played in the pit for the show in high school.
I thought the show and the performances were excellent. Deborah Cox was phenomenal.....her vocals definitely don't sound tired at all. Constantine was great and I very much enjoyed his performances as well as his acting. He puts everything into the performance and it's got to be exhausting doing this every night! I can definitely see how some would say that moments are a little too much "rock" style but I didn't mind that. (I did listen to the original soundtrack AFTER the show today). While I thought the technology used in the confrontation scene was pretty cool my wife told me that this was her favorite scene of the show previously. I looked up a performance by Rob Evan and I have to say that I do think having the actor perform both Jekyll/Hyde live during the Confrontation would have been preferred. That being said.....I still enjoyed that scene.
I do think that there could have been a better way to set up the relationship between Lucy and Jekyll. It didn't make sense to me that he should feel so much for her. My wife explained the song that was left out that would have helped do that. I think that was a big mistake as that seemed to be a disconnect for me.
Overall I really enjoyed the show and was happy with what I got for my money. I don't get the "trash" comments unless someone came looking for a very specific idea of what this show should be and didn't get it. Performances were terrific.
One more comment. I don't know if anyone else noticed this when they saw this show but Jekyll's spoken voice seemed to have more of a Scottish pronunciation of words than an English one. Maybe I'm a little crazy but this bugged me a bit too. :)
I'm glad you and your wife enjoyed the show, Steve. The best Confrontation version, imo was in the pre-Broadway version using a mirror and a live Jekyll. Less theatrical, and a bit more beleiveable and easy on the eyes. The "Hair Ballet" as we called it in the Bd'w version was a bold venture and pretty funny to watch, but I gotta say it was a real test of an actor's skill. There are some funny bloopers to this live version back in the day.
BTW, there were NO noticable accents (British, Scottish or whatever) in any of the staged shows I've ever seen by the leads (J/H, Emma or Lucy).Perhaps Poole, Jekyll's butler or a Board of Governer may have sported a slight proper English manner of speaking. So having Constantine or Lucy attempt to put on an accent is a BIG mistake, imo. You simply cannot understand dialog that is muddled with a forced accent in any production.
I saw this version on tour. Not only did Constantine have an accent, he had two. One for Jekyll and one for Hyde. You can clearly tell the difference between the two. I had no problem understanding what was being said. Some of the other characters also speak with accents. In fact it made a lot of sense when you think about the setting of the show. The accents were not a problem for me.
"TheatreDiva90016 - another good reason to frequent these boards less."<<>>
“I hesitate to give this line of discussion the validation it so desperately craves by perpetuating it, but the light from logic is getting further and further away with your every successive post.” <<>>
-whatever2
Saw the show tonight. Absolutely loved it. Went in not knowing a single thing about the show, and came out a huge fan. Constantine and Deborah were phenomenal and gave incredible vocal performances. Both gave decent acting performances, but nothing noteworthy. For a 3rd preview in a new space, the show ran mostly smooth, with only minor bumps like scenery getting stuck for a second or a few sound problems.
For people wondering - - Got a 2 student rush tickets at 6pm. $32, right orchestra. Didnt ask for an ID. - The orchestra was 85% full I would say. Center section was sold out, and the far sides were the parts open. The Mezzanine, on the other hand, was about 20% full. Only a handful of people up there. - The deck itself is VERY far back from the front row. Unlike EVITA, the stage is actually about 10 ft behind the conductor. Because of the small proscenium in the big theatre, it sometimes made me feel I was sitting farther away then I was.
Got a 2 student rush tickets at 6pm. $32, right orchestra. Didnt ask for an ID.
I believe rush for this show is general rush since it is available on Ticketmaster with a promo code.
The deck itself is VERY far back from the front row. Unlike EVITA, the stage is actually about 10 ft behind the conductor. Because of the small proscenium in the big theatre, it sometimes made me feel I was sitting farther away then I was.
Unfortunately since this show was designed to play a variety of houses around the country and not just the Marquis, the deck and proscenium may not fit seamlessly in the space. I have noticed that the deck being really far back is a common thing for lots of touring shows.
"There’s nothing quite like the power and the passion of Broadway music. "
News flash. Cuccioni and Eder are not in this show . The show is different and the sets are different and if you can't live with that, then I suggest you go see something else.
I also fully expect the critics to hate this, since Wildhorn can't seem to please them no matter what he does. I read reviews while this show was on tour. One critic said Maroulis couldn't act or sing and the next person said he was so good he is sure to win a Tony. Bottom line is, they don't know anymore than you or I do.
I saw this last night and tonight. I loved it. I liked the accents and I could understand everything. I thought the vocals were amazing and I think Maroulis is a remarkably good actor. He and Cox give it everything they've got.
I saw this while it was on tour, and it seems like it is running smoother. Seems like there are always some set problems, usually in the laboratory.
Why does every seat have to be filled? There were good crowds both nights. Maybe a little moe the first night, but certainly a decent showing. Some of you act like it is a failure if it isn't sold out. I'd say they're doing pretty well.
Everybody in our group loved the show, and those around us all seemed to be enjoying it. Applause was pretty darned enthusiastic.
So, for what it's worth, it's a good show. Don't compare it to the old show and you might just have a good time.
""I found this site looking to see what people thought of the show last night"
You couldn't talk to your wife about it?
I guess this show is going to bring out as many wack jobs as Wicked did. "
Really??
I'm a wack job because I checked to see what reviews said? For what it's worth, I did talk to my wife about the show....quite a bit. I had a 5 hour ride back home yesterday where we could discuss it amongst other things.
>>>>It is all part of the job. We work in a business that critiques your work. True but- Most people go to the theater to be entertained. We are not there to dissect & critique each aspect of the production but to immerse ourselves in the total experience. To be inspired, intrigued, amused, to stimulate our emotions. We are looking at it differently than a critic or maybe anyone involved in theater. Perhaps the accents aren't authentic; what it tells me is the story takes place in another country- simple. It is suppose to be fun, a night out, and an escape from daily life. As long as the audiences love the show, I don't care what the critics think. I was there on Friday. Everyone at intermission and after the show was talking about how wonderful it was. & yes I was eavesdropping. To quote Walt Disney: We are not trying to entertain the critics. I'll take my chances with the public.
I've never seen the show and never will, but agree it is great to see comments from new posters. They have just as much right to their opinions as the regulars do, and a fresh take on theatre should always be welcome.
I think everyone should be able to have an opinion without getting slammed. I liked the show, but if you don't that is okay. I just don't like how nasty some people are with their comments and trying to bring down a show because they are anonymous on the Internet. I'd be ashamed to be so mean. Like someone else said, it's entertainment.
Does anyone know how the online general rush works? I know it's on the day of the performance only but while the promo code got accepted the seating chart didn't actually show me any seats ate the daily rush rate... Also, where are they located assume front row?). Thanks!