LIBERATION by Bess Wohl to open at the James Earl Jones theatre in October - Page 2

[Ensemble1698878795]

Posted: 8/2/25 at 9:47am

Falsettolands said: "Simply could not stand this play.

But I sincerely hope Betsy is with the transfer. Really great work on her end."

I’m in this camp. It felt critically overhyped and when I saw it I witnessed audience members falling asleep. Every exciting Off Broadway “hit” doesn’t have to transfer to Broadway. Dead Outlaw is an example of a beloved Off-Bway success turned Bway flop. I wish it well, but this doesn’t feel financially smart. 

 

[Fordham2015]

Posted: 8/2/25 at 11:41am

Carrie Coon tweeted that she was "doing a little something" before Gilded Age season 4. Perhaps it's this play or another stage project like Bug?

[ErmengardeStopSniveling]

Posted: 8/2/25 at 12:28pm

BoringBoredBoard40 said: "Not sure why this is being rushed in. 9 weeks before first preview with no names attached, this has all the makings of a bust on it"

If this fails it will have nothing to do with the advance notice given before opening. People buy later and later these days.

Especially if the cast does not include boldface names, they'll sell the majority of tickets within two weeks of a performance (and at discounted prices).

Updated On: 8/2/25 at 12:28 PM

[Crusty Bagel]

Posted: 8/2/25 at 2:12pm

40 dollar rush tickets on todaytix. Does anybody else find it curious that their first preview is the same day as Queen of Versailles?  They should have chosen a different day 

[Jonathan Cohen]

Posted: 8/2/25 at 3:17pm

Crusty Bagel said: "40 dollar rush tickets ontodaytix. Does anybody else find it curious that their first preview is the same day as Queen of Versailles? They should have chosen a different day"

I'd agree if both shows were opening on the same day,. I'd don't think it's really an issue with opening previews. 

[quizking101]

Posted: 8/2/25 at 9:04pm

Ensemble1698878795 said: "Falsettolands said: "Simply could not stand this play.

But I sincerely hope Betsy is with the transfer. Really great work on her end."

I’m in this camp. It felt critically overhyped and when I saw it I witnessed audience members falling asleep. Every exciting Off Broadway “hit” doesn’t have to transfer to Broadway. Dead Outlaw is an example of a beloved Off-Bway success turned Bway flop. I wish it well, but this doesn’t feel financially smart.

"

I think timing and momentum also play a major factor. Oh Mary moved almost immediately riding on blockbuster reviews. Dead Outlaw waited a whole year. Other shows like Teeth did a lateral transfer after 6 months and that folded in short order.