The moment in the most recent FINIAN'S RAINBOW overture when the Orchestra begins "How Are Things in Glocca Morra?" The chord change is so rich and harmonious. Gorgeous.
Nathan Lane and Faith Prince's long, nasal, completely unique held notes towards the end of "Sue Me" from the GUYS AND DOLLS revival. Hilarious and perfect distillation of their particular characters in one tone.
Murray Head's voice sounding like he was wailing through completely shredded vocal chords in "Judas' Death" on the original JESUS CHRIST SUPERSTAR concept album. His Reprise of "I Don't Know How to Love Him" is my favorite moment on any Webber album. Such unmatchable passion.
The record-skipping gag in "Bride's Lament" from DROWSY CHAPERONE.
I'll probably come up with more, that's a random assortment of fun ones that came to mind tonight.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.