Ha! I've been playing the thirty-second sample for "The Beauty Underneath" for the last hour! I think I'm slowly going out of my mind!
And yes, I asked for the cast recording for birthday... I've never been more curious about a show before, especially not one I'm convinced I'll dislike (I do like the songs I've heard so far, though.)
In my pants, she has burst like the music of angels, the light of the sun! --Marius Pantsmercy
Anybody here from the US that pre-ordered the CD in October 2009? I haven't received my copy either.
"I love acting. It is so much more real than life." Oscar Wilde "After silence, that which comes nearest to expressing the inexpressible is music." Aldous Huxley
As far as recycling the title song and not writing a new one, it is important to remember that that song was written for the Phantom sequel long before THE BEAUTIFUL GAME came along.
The orchestrations in some songs are absolutely beautiful where as others...not so much. I agree that this is the best work Webber ahs done in awhile. My favorite songs (in no particular order) are; Til I Hear You Sing, Beneath the Moonless Sky, Dear Old Friend, Once Upon Another Time, Love Never Dies, and Devil Take the Hindmost. Even though I like Dear Old Friend, there is something in the beginning of the song that annoys me. The thing that annoys me is when Meg is practicing her "Bathing Beauty" routine, the girls singing back-up sound like little kids. When I first heard it I thought I was listening to something from Kidz Bop or something. Other than that I really like the song.
"Let's hope when it comes to New York, they don't widdle down the orchestra to 4 synthesizers, a drum set, and an oboe. lol"
LOL This isn't DRACULA, the musical so here's to hoping they won't. I know they did it for Woman in White too, but WiW's wasn't as bad as it COULD have been!
I'm truly in love with the "Till I Hear You Sing" song. Like "Once Upon Another Time" a lot as well!
I have an odd feeling this show will go over better than most people think...
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I like the use of bits of music from the Original, I also like where they take bits from the original and change them around slightly.
"Why Does She Love Me" is a version of the original's title song.
when "Dear Old Friend" startsand Meg meets Christine (and the bit that ends it off)it is a verision of what goes on at the end of Angel of Music "He's with me even now, your hands are cold, etc"
http://www.flickr.com/photos/27199361@N08/ Phantom at the Royal Empire Theatre
I too would be ever so grateful if someone sent it to me
<------ Me and my friends with patti Lupone at my friends afterparty for her concert with audra mcdonald during the summer of 2007.
"I am sorry but it is an unjust world and virtue is only triumphant in theatricle performances" The Mikado
"Anybody here from the US that pre-ordered the CD in October 2009? I haven't received my copy either."
Yes. I sent them an email yesterday and they replied today saying that they will be shipping next week, which seems odd since so many people say they have all readt received theirs.
"TheatreDiva90016 - another good reason to frequent these boards less."<<>>
“I hesitate to give this line of discussion the validation it so desperately craves by perpetuating it, but the light from logic is getting further and further away with your every successive post.” <<>>
-whatever2
Definitely Weber's best since his heyday. I really enjoy the melodic (and harmonic) throwbacks to POTO in the score - most of the score is beautiful. ("Bathing Beauty", while plot-appropriate, feels like a cop-out, it could ans should be bigger and have a less half-hearted melody, "The Beauty Underneath" is slightly repetitive, and to hear the Phantom sing that way makes him lose gravitas, in my opinion, and the recitative, compared to the original, is not as catchily melodic and less strong as far as lyrics are concerned, throughout.)
The orchestrations are lush and beautiful, and Ramin Karimloo and Sierra Boggess are both delightful. Boggess, in particular, has an angelic quality to her legit soprano that is so fitting of Christine. Karimloo lacks the threating gravitas that Crawford has on record, but it does not work against him. He is excellect and quite appropriate in "The Devil Takes the Hindmost".
"Dear Old Friends" is probably my favorite track outside of the singles ("Till I Hear You Sing" and "Love Never Dies"). I love the throwback to "Prima Donna" at the end of "Dear Old Friends" - so fitting after the passive aggressive arguments between the two divas.
As per my opinion of the piece as a whole, the score is not quite as good as POTO's - there aren't as many incredible melodies, though the incredible melodies that "Love Never Dies" has are just that - incredible. There are times that the score just brings you exactly where you would expect "Phantom" could and would go and those are the best moments.
Are the lyrics free of irony and wit? Yes. Is the plot soap-opera ish and simpleton? Yes. However, does not the original production have these same problems? There are cheeessssyyy moments in the original Phantom, lousy lyrics, and an inane and unnecessarily convoluted plot. The same goes with Love Never Dies.
I'm not a super fan of Weber or of the original Phantom of the Opera, but I can say without hesitation that I am supremely impressed with Weber and Slater's ability (and from the sound of the way the recording is paced, O'Brien's) to re-create the original, in a way. It's structured almost exactly the same way - hits the same heights, lows, moves at the same rhythm - and although the show will likely not be in the same way as the original, after a full listen, I can predict with much confidence that the show will satisfy audiences enough to give it a respectable run.
The score is mostly made up of songs from The Woman in White, endless reprises of "Till I Hear You Sing" and little bits of Sunset Boulevard and a little bit of "Learn to Be Lonely" here and there. Oh, and "Devil Take the Hindmost" is "The Story of Chess". That's about it. Having said that, it's not as bad as I thought it would be. Not at all. It's the lyrics that need the most work.
Updated On: 3/4/10 at 09:09 PM
I'm with Cats...it's mostly Woman in White, with the whole "Till I Hear You Sing" thrown in.
As a Lloyd Webber fan, I'm slightly disappointed. I was a big fan of the score to The Woman in White, but perhaps the reason I'm not enjoying hearing the recording as much is because there aren't necessarily SONGS, but sung scenes. Woman in White was able to weave the songs and the sung dialogue very well. I'm sure I'll enjoy it once I see it in person though!
The song "Beneath a Moonless Sky" reminds me a lot of Wildhorn's "I Will Be There" from the Count of Monte Cristo ~ The Musical for some reason as well. Enjoy that song too!
I got the deluxe edition yesterday, and ended up watching the dvd last night (makin gof, recording the album, set design, etc). After watching it, I can honestly say that I can't wait until it opens! My mom is even interested, and that was a surprise...she likes Phantom, but prefers Les Miserables.