Wait, the show listing page has it without the crappy pic, is it possible that someone decided that the Stage Notes version needed a crap-up? Or that Paul Wontorek was playing photoshop before writing the blog and uploaded the wrong pick???
I normally wouldn't question this, but its sooooooooooooooooo ugly.
PLEASE! Do not post anything negative or dramatic! DidYouReallyHearMe has LOST the ability to ignore such posts and he will comment! Please, help him.
With Clay Aiken in Spamalot, all of Broadway is singing a collective "There! Right! There!" -Me-
"Not Barker, Todd is the only person I've ever known who could imitate Katherine Hepburn...in print." -nmartin-
The negative comments about the In The Heights poster are why I rarely agree with BWW at large about bad graphic design. Whether one likes the aesthetic or not, it is well done.
Yet I still can't get over the horrible Gypsy one. Especially that cream cheese softening all along her body. The logo itself (without her) is bad enough. Obvious, soft, sickly monochrome, and simple. If her name is going to be as large as the title of the show, it should at least be in a different color/style.
That is hideous. I liked the Encores! poster a whole lot better.
"I mean, sitting side by side with another man watching Patti LuPone play Rose in GYPSY on Broadway is essentially the equivalent of having hardcore sex." -Wanna Be A Foster.
"Say 'Goody.' Say 'Bubbi.'" ... "That's it. Exactly as if it were 'Goody.' Now I know you're gonna sing 'Goody' this time, but nevertheless..."
The negative comments about the In The Heights poster are why I rarely agree with BWW at large about bad graphic design.
In case you didn't notice, only ONE poster made the negative comment about the IN THE HEIGHTS design, and she exists on this board for the sole purpose of making negative comments about IN THE HEIGHTS.
Everyone else likes the IN THE HEIGHTS artwork.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
So who on here wants to make something clever and classy? I don't have any such skills, but I'd love to see what everyone on here could come up with for the revival logo.
They could probably use LuPone's silhouette, backside facing the viewer, onstage, with the bright "LuPone, Gypsy" marquee contouring her. Just a quick change for the primary elements of the current design.
In case you didn't notice, only ONE poster made the negative comment about the IN THE HEIGHTS design, and she exists on this board for the sole purpose of making negative comments about IN THE HEIGHTS.
Quite right. I only noticed the two (blatant) comments, not that they came from the same poster. I also didn't know anything specific about said poster, as I don't have the entirety of the BWW mythology etched into my brain. Just the crude outline.
I was just using that as an example, though. I do stick to my overall point.
I don't have any such skills, but I'd love to see what everyone on here could come up with for the revival logo.
If only I had 4 hours to kill. Granted, I could do something better than that in 30 minutes, but I'm too much of a perfectionist to stop there.
The City Center production did not look cheap, they're not going to cheapen its look for the Broadway revival.
The poster being horrific does not signify the quality of the production.
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[turns and winks directly into the camera]
- Liz Lemon (Tina Fey) on 30 Rock
Isn't it fairly common for shows to release an initial poster for publicity that doesn't end up being used as the marquee poster? I know recently August: Osage County, Jersey Boys, The Ritz, The Little Dog Laughed, and Grey Gardens are examples of shows that released fairly generic posters for publicity that weren't much more than the titles of the shows. About a month later, each show got their finalized poster that was to be used at the theatre as well as for mass advertisement and merchandise purposes.
Okay, I think it's a long shot to say that just because the poster is absolutely disastrous (and it is probably one of the worst posters I've seen with or without LuPone), the production itself will be anything cheap or atrocious. In fact what is sad is that the hideous poster doesn't begin to reflect the excellence of the cast and direction. I know it won't happen but I was hoping for a poster featuring both Benanti and LuPone. Either way, it is absurd to say that the show will be cheap-looking. I thought the Encores! production looked swell.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
it reminds me of the crappy crappy A Chorus Line revival posters. However, at least the posters with the people on it don't look like it was done by a 4 year old for his school project.
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ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
The production will definitely seem cheap, I'm sure. It's most definitely not going to be one of those trillion dollar productions of GYPSY, with grandiose sets, costumes, lighting design...
It's also not going to be the Mendes production with a sole doorjam representing an entire apartment.
The thing is that there's no way they'll be able to replicate the City Center staging in it's entirety. You're not gonna have a 30-odd piece orchestra (I've heard 1. You'll probably have the kabuki lamb and dog doll again.
Performers of LuPone, Benanti, and Ganes' caliber deserve more. Hopefully when they record the album (I have no doubts), they'll bring in the full orchestra they used over the summer.