To be fair, winning the Tony doesn't automatically mean you're making a return. A lot of the time, that means you can make it closer to turning a profit by touring and licensing, but with this production, I can't see either happening anytime soon. And the already established Asian productions, if/when they do remount, won't return money to the Broadway entity. $20mil and plus a priority loan is a big hole to fill, but i'm happy to see it turning around.
I'm just here so I don't get fined
Audra Gypsy show watch count: 2
Dream Rose Replacements: Sheryl Lee Ralph
Saw this over the weekend and really loved it. Such beauty in it's simplicity, while also having wonderful tech elements. Really impressed how it's turned it's fate around financially, it really deserves it. Hoping it gets some well-deserved recognition come Tony time.
There has been a lot of talk about the side section seating due to the staging. I saw this delightful show from Mezz. D 17 and even that far to the right the actors were always in view throughout. I do suspect that the 5 seats further to the side isle would get diminishing sightline but Im writing this because if you get a good price on these sideview seating you do capture the show even if the occasional wall of one of the cubes is out of sight. Not sure how this applies in the Orchestra but don't be too fearful halfway into the side sections in the Mezz. Enjoy.