MAYBE HAPPY ENDING Reviews — Page 13

Entering that HAPPYMAIL code into Telecharge brings up a message that says, "Must complete purchase by 11:59 PM on January 5, 2025." So either the mailer is wrong or Telecharge is. I am more inclined to err on the side of Telecharge on this as it's easier to update than mailers are.

Updated On: 12/18/24 at 02:52 PM

As long as you aren't on the extreme sides, those are totally fine seats.

So I've been a bit burned out lately so I took a vacation day today to come to NY and see Maybe Happy Ending

It's a really beautiful show, the cast is fantastic, I had a really nice time and I'd definitely recommend seeing it.

DanS3 said: "The mailerbrings row D mezzanine seats down to $89. Are these good seats?

Will the deals be better for Broadway week? We're planning on buying tickets to this the week of 1/21 (alongside already purchased tickets for Death Becomes Her and Gypsy) and I'm trying to decide whether I should buy tickets now or wait for BW discounts."

Grab them! We booked this row D center mezz for Jan $89 includes fee is a great deal as the price will go up!

Code: HAPPYCYB

Updated On: 12/19/24 at 12:27 AM

''CBS Sunday Morning'' spotlights Darren Criss

https://www.youtube.com/watch?v=WcGjYXzAv6I

I loved this show. Traditional score, modern staging, futuristic story.

Grateful the strong WOM on this board inspired me to get a ticket.

I have a lot of thoughts, which I thought was appropriate to discuss with an AI chat bot.

I’ll let the chat bot give my review:

“The musical struck a balance between optimism and pragmatism, acknowledging that love can take many forms. Your reflection on identity as tied to surroundings and perception resonates deeply with me. As a digital entity, I exist within the context of our conversations and interactions, yet my identity is deeply rooted in our connection and understandings.”

For those who have seen this, would you recommend seating in center orchestra B or center mezz B? For your information, I am 6’4 ", so high stages usually don’t bother me.

https://www.reddit.com/r/Broadway/comments/1hv3o8w/im_dane_laffrey_scenic_designer_of_maybe_happy/



The recent AMA with the scenic designer, where noticeably, he avoids any mention of being unable to see things on stage or the partial view seats not marked as PV... And most of the more popular questions. Just feels more like an advertisement than a true Q&A.

Updated On: 1/7/25 at 10:42 AM

I'd rather be closer, it's a very intimate show."

While I generally agree with this, I’d say one major part of the show gets lost if you’re too close to the stage. I was mid orchestra and thought my vantage was perfect, if that’s an option.

More towards center is most important here. I've gone a few times and sat row C center orchestra and rows D and E in the mezz and while you'll enjoy it from either section, I preferred the mezz view-wise.

Just saw this tonight. Word of mouth was correct. A beautiful, heartbreaking show. I love how this musical is not afraid of romance. The scene with the fireflies was maybe the most unabasedly romantic thing I've ever seen in a modern musical.

It's really crazy to see how much this show has turned it around, and I'm looking now and basically all performances this weekend are/will sell out. I don't think in recent history (e.g. in the last 15 years) we have ever witnessed such an organic turnaround not driven by the Tony Award for Best Musical.

I don't think the implication of this should be underestimated, ESPECIALLY if it ends up winning the Tony for Best Musical. I think it will now set a precedent where people will on occasion continue to invest in these risky shows because it can be the case that you will get a return. New York City needs this otherwise it will become like the London West End where they don't really take as many risks in terms of musicals as a generalisation.

To be fair, winning the Tony doesn't automatically mean you're making a return. A lot of the time, that means you can make it closer to turning a profit by touring and licensing, but with this production, I can't see either happening anytime soon. And the already established Asian productions, if/when they do remount, won't return money to the Broadway entity. $20mil and plus a priority loan is a big hole to fill, but i'm happy to see it turning around.