Hoping for RAVES! I preferred this to both Hello Dolly and Sunset Boulevard (not by much...but still preferred it!) One of my favorite revivals and theatrical experiences in recent memory!
I'm curious to see the critical reaction to this and how much of the reviews will consist of comparing it to the original. It's always been more of an audience show than a critics show. It doesn't strike me as the kind of thing Brantley is likely to enjoy, but we'll see. I was kind of surprised that Frank Rich gave the 1991 production overall a strong notice in the Times, though he did call it out for being occasionally "simplistic" and "laughable".
Just remembering you've had an "and"
When you're back to "or"
Makes the "or" mean more than it did before
I remember when the original reviews came out in London and they were fairly negative as well. It's definitely an audience show more than a critic show for sure.
“I knew who I was this morning, but I've changed a few times since then.”
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
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There are freelances covering Isherwoods old workload too right? Brantley would be exhausted if he had to cover every new opening this spring. This is their busiest time of the year.
So far, the excerpts are what you would expect - if the reviewer didn't like Miss Saigon before, they still don't like the show, even if they admire the production. Will there be someone who did like/love the show, but doesn't like this production? (Note: I've only read the excerpts provided so far) (Disclosure: we saw it twice in London in the first three weeks - the first preview and press night - and I loved it, but was not crazy about Alistair Brammer and so am not surprised he isn't getting raves here, either).
Brantley sure did love that helicopter. I guess they'll have some interesting quotes to pull for advertising. I can only imagine his reaction to the train in Hello, Dolly!
One thing Brantley nails extremely well is his description of Jonathan Pryce in the original production. It's very hard to paint a true portrait for those who didn't see it of what made Pryce so brilliant in the role and how his performance made the entire piece into a more sanguine commentary on American capitalism than it ever was with any of his successors in the part. Brantley describes that beautifully.
“I knew who I was this morning, but I've changed a few times since then.”
^so write a history piece- which was what that was. To be fair I haven't seen it yet, but I did see the original. I can imagine there's some great stage craft and performances happening, but you wouldn't know it from anything Brantley observed.