I'm assuming each production has a clause to cover the costs of any restoration after a show loads-out, but I'm wondering, with the theaters being "landmarked," where is the line drawn as far what is considered "historic" vs. what can be altered inside for a specific production?
For example, painting the inside of the auditorium black, or raising the proscenium height, as previously mentioned in this thread.
Or with something like "Moulin Rouge," are all of those auditorium elements (which looked very seamless to me!) merely set pieces installed, and once removed, will the auditorium be pretty much back to the way it was prior to load-in, with very little "restoration" needed?
Perhaps someone could explain it better. Thanks!
"I'm seeing the LuPone in Key West later this week. I'm hoping for great vocals and some sort of insane breakdown..." - BenjaminNicholas2