I was shocked by the live "editing" between cameras - which surprised me because Alex Rudzinski has done such flawless work on most of these productions - I otherwise I thought it looked great. Jason Sherwood, who did Rent Live and a few other notable works, designed a lovely, versatile set, that allowed for big scenes but didn't overwhelm the cast. It also made for quick scene changes, and I loved when it was suddenly Christmas after a commercial break. And that really brought home the fact that we were just watching something overtly positive and family-friendly, and it's what audiences needed.
The cast overall was delightful. I did find some inconsistencies in acting choices scene to scene interesting, but didn't really affect my enjoyment that much. That said, Celina was a total delight, what a voice, and imagine being able to lead a show with millions watching? Kudos to her.
I could see the appeal of Harry, he certainly can project the warmth and the stiltedness, of the character without making him unlikeable. If he was a bit behind, it was distracting but it kind of worked since he's coming out of his shell. And when he broke out into the piano, it was a treat. (The less said about the bald cap, the better.)
I think as the more experienced TV star, Taraji knew her strengths, knew this character was written over-the-top and was just like, "I'm gonna chew what little scenery there is, the audience is gonna eat it up too." And for the most part, she was a lot of fun.
I had my doubts about Nicole, especially since considering her talents, she's basically a TV judge for hire now, but I thought she did a lovely job, especially recovering from a torn hamstring! And how she managed to go straight from that huge "We Got Annie!" number straight into a book scene, looking calm with beads of sweat on her face? Gold star right there!
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008