Albin tends to dominate most productions of La Cage, but I thought this London production managed to throw equal attention to Georges. It might have been the wonderful performance of Philip Quast, but "Song on the Sand" and "Look Over There" scored bigger than I remember the numbers working in either of the Broadway productions. Quast also brought a glint of mischief in his eye to his Emcee scenes. I could see Grammer easily managing the same.
Yip, I think you've come down a little hard on Grammer. Macbeth was truly a bad idea gone wrong and should not have come in following its poor reception in Boston. It's quite possible too that Sweeney was just too much of a sing for him - it nearly finished off Len Cariou. But he fared well and got terrific reviews for My Fair Lady at the NY Philharmonic two years ago, so a musical comedy seems well within his ability.
As far as the kiss - I seem to recall Albin and Georges walking upstage into a sunset in the original. In the Broadway revival, Albin and Georges kissed, but pretty far upstage. In this production, the final kiss is very much front and center - and when I saw it with a rowdy Saturday night audience, the crowd cheered.
Begin at the beginning and go on till you come to the end: then stop.
Updated On: 11/24/09 at 09:34 PM