TL;DR - show remains good, but let the new meat cook a little longer
I went last night fully acknowledging that this was not going to be the Mincemeat to which I’ve become accustomed. The bones are still there, but they have become a bit disjointed with the growing pains of a new cast. It really did make me take for granted how airtight the original ensemble was in performance.
Now, this is not to say that the new cast is terrible by any stretch (though I have some notes for the men), but I definitely think they needed a little more time together in the rehearsal room to tighten their synchronicity. There were quite a few pockets of dead air which, although brief, impacts how the jokes land.
Regarding the cast: Jessi Kirtley and Amanda Jill Robinson are squarely in their bag with their roles, especially Amanda - who has grown a lot over the last year and I would put her on par with Zoe for finding the right balance of straight man and madcap goof. Julia Knitel was a fantastic choice to replace Natasha. She has the accent and comportment pretty much down pat and has that necessary BDE that Natasha and Gerianne bring to the role. As a taller woman, she is also more of an intimidating presence when she needs to be.
The Men…a somewhat different story. Brandon attests that he’s still finding his rhythm with the new group, and that’s clear. His Charles is a bit more mopey and lower energy which, when succeeding David Cumming’s absolutely manic and panicky performance, causes many moments to fall flat. I know he has the ability to camp it up, and so I hope he can bring a bit more vigor to the table.
Jeff as Hester…needs work. His side characters (especially Spilsbury) are very good and could only get better. However, Hester is the heart of the show and it felt absent here. There was a distinct lack of that matronly, yet feminine energy, as well as a lack of stoicism (Hester broke into little smirks more often than she should IMO). Oddly enough, the only time I saw Hester come through was on “Dear Bill”. Being up close, I could see Jeff’s facial control throughout the song and it was only then that I was truly able to see his Hester for the first time. I really need him to harness the range of emotions he put into “Dear Bill” and apply it writ large across his performance.
I’m sure they will eventually cohere into a tight performing unit, but I would advise giving them a few weeks to find their rhythm and tighten up before going to see them.
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