I know Eric Santagata went on last night, but I don't know for who? Tony? Brandon?
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Bwayphreak said it best, "Sadly, this an enormous misfire on pretty much all cylinders.". Also, you do not see the original sets, costumes, choreography or orchestrations since they do not have the rights for them. The staging is reminiscent of the original in the way college productions can look like Broadway staging without being perfect. Mr. Prince's staging was always perfect. This is surprising since one would expect to at least get an exact replica of Mr. Prince's original staging in Prince of Broadway.
The concept unfortunately does not work and, of course, all of these very good performers pale in comparison to their legendary originators. ...except for Tony Yasbeck who can apparently do anything.
It feels like a wonderful revue one would see on a cruise ship where they do not own the rights to anything but the songs.
Thanks to everyone for the reviews and commentary! I've decided to rush this on Saturday while I'm visiting from Boston. I've heard there are $30 rush tickets. Does anyone have experience with these? How early to line up/where the seats are located? Trying to decide on rush vs. TodayTix. Thank you!
LuminousBeing said: "Thanks to everyone for the reviews and commentary! I've decided to rush this on Saturday while I'm visiting from Boston. I've heard there are $30 rush tickets. Does anyone have experience with these? How early to line up/where the seats are located? Trying to decide on rush vs. TodayTix. Thank you!
"
The $30 tickets are sold in advance if you're under 30. I think you can grab them at any time. Their regular rush tickets are $42.50 ($35+$7.50 fee) and they're through TodayTix.
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I wish the performers would stop pretending to be Hal. The glasses gimmick was laughable and got tired very quickly. If they're gonna stick with this narrative, i would rather hear them talk about Hal in the third person (even though I still won't learn anything new about him and his work).
bwaylyric said: "I wish the performers would stop pretending to be Hal. The glasses gimmick was laughable and got tired very quickly. If they're gonna stick with this narrative, i would rather hear them talk about Hal in the third person (even though I still won't learn anything new about him and his work)."
I thought that that was the part that worked the best. I would also like a better book--either thematic, lesson, or chronographic ordering with more exposition of why that particular work was so important and what Hal added to the show.
Hal, btw, was in the back at my performance. Apparently he does that a lot.
Also I did enjoy it--it gave me a chance to see the only songs I like in Phantom without having to sit through the rest,,,
The $30 tickets are sold in advance if you're under 30. I think you can grab them at any time. Their regular rush tickets are $42.50 ($35+$7.50 fee) and they're through TodayTix.
Thanks for the info! The "under 30" ship sailed for me, but it's good to know that this isn't an option before I arrive in NY this weekend. TodayTix it is, and thanks again for the response!
There actually are $30 rush tickets available in person at the theater. Try your hand with the TodayTix rush, but if all else fails, definitely check at the box office!
Jarethan said: "... As for The Right Girl, Tony Yazbeck's performance aside, I have always considered that to be tied for the worst number in the show, along with Too Many Mornings. At least with the latter, it is just that I got sick of it. I never enjoyed The Right Girl.
"
Jarethan, did you see the most recent revival when it came to the Ahmanson and Victoria Clark took over for Bernadette Peters? "Too Many Mornings", sung by Clark and Ron Raines with their huge voices, became a revelation and very nearly operatic. It actually justified the intermission which followed.
But I can't agree more with you about "The Right Girl". The exact same content is covered much more cleverly by "The God Why Doncha Love Me ... Blues" 10 minutes later. Per one of the books about FOLLIES, "The Right Girl" is only there because Gene Nelson had to have his own "book" solo, like the other three leads.
I'm glad I'm safely 3,000 miles away. This whole PRINCE OF BROADWAY project makes me very sad, even just to hear about it.
GavestonPS said: "Jarethan said: "... As for The Right Girl, Tony Yazbeck's performance aside, I have always considered that to be tied for the worst number in the show, along with Too Many Mornings. At least with the latter, it is just that I got sick of it. I never enjoyed The Right Girl.
"
Jarethan, did you see the most recent revival when it came to the Ahmanson and Victoria Clark took over for Bernadette Peters? "Too Many Mornings", sung by Clark and Ron Raines with their huge voices, became a revelation and very nearly operatic. It actually justified the intermission which followed.
But I can't agree more with you about "The Right Girl". The exact same content is covered much more cleverly by "The God Why Doncha Love Me ... Blues" 10 minutes later. Per one of the books about FOLLIES, "The Right Girl" is only there because Gene Nelson had to have his own "book" solo, like the other three leads.
I'm glad I'm safely 3,000 miles away. This whole PRINCE OF BROADWAY project makes me very sad, even just to hear about it.
"
What a post. The Right Girl was there because the authors wanted it there, not because Mr. Nelson had to have anything. It's a great number in the right hands. In Mr. Nelson's hands it was a hugely dramatic and affecting number, as well as very exciting. In the last revival, which you speak of seeing at the Ahmanson, nothing was in the right hands, not one single thing, starting with the director straight on down the line. Too Many Mornings was a "revelation"? I have to laugh when I read pronouncements like that - the only thing missing is the word "thrilling." The song isn't about begin operatic, BTW, and nothing, NOTHING will ever justify an intermission in this show. The original cast and creative team understood this show perfectly - no one else has since, and that includes its book write who has watered it down over and over again - it didn't need to be "fixed" ever. As to Prince of Broadway, it doesn't sound like it's working very well, but I'd have to see it to judge for myself.
bk I appreciate your passion but I do wonder whether your "all bad" take on the previous revival is as hard to take seriously as my "all good" take. You didn't like *anything*? Not the way Clark sang Buddy's Eyes or Losing my Mind? Not the way they did "One More Kiss"? Or the trio ending to "Broadway Baby"? Or how they managed to dress up the Marquis to make it seem rundown? (At the first preview I overheard someone claiming they need to renovate LOL).
I realise you care deeply but it is a bit sad you couldn't see any value.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Boy do I have a strange story for this thread. Last I night I dreamt I was playing the Emcee in the cabaret section of this show and I guess I went on with barely any practice and I forgot all my lines and I didn't know how to sing the song. So a stage manager came out on stage with a karaoke thing for me to sing a long to. I still didn't know what to sing or how to sing the song so they just ended up cutting the segment short.
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TheThreadMaster said: "Anyone who has gone as of late seen any improvement in Xavier?"
I went this weekend, for the first time so I didn't have any point of comparison other than the comments in this thread.
I didn't love his "Being Alive" but I did think he was very good as the Phantom. And I didn't notice a lot of hand gestures in Being Alive as mentioned here. He did speak-sing quite a bit the first part of the song but not as much the second half.
Eric's been on since Friday for Tony. I wonder if Tony is sick or injured?
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.